Invention de monstres

© Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2007

Núm. cat. P 457

Invention de monstres

Description

Date:
c. 1937
Technique:
Huile sur toile
Dimensions:
51.4 x 78.1 cm
Signature:
Non signé, non daté
Localisation:
The Art Institute of Chicago, Chicago (Illinois). Collection Joseph Winterbotham

Provenance

  1. Collection Mr. et Mrs. James Thrall Soby, Farmington (Connecticut)
  2. Durlacher Brothers Gallery, New York

Expositions

  1. 1937, Paris, Renou & Colle, Dali, 06/07/1937 - 30/07/1937, sans numéro
  2. 1941, New York, The Museum of Modern Art, Salvador Dalí, 19/11/1941 - 11/01/1942, num. cat. 33
  3. 1942, Indianapolis, The John Herron Art Institute (Indianapolis Museum of Art), [Exhibition of paintings by Salvador Dali], 05/04/1942 - 04/05/1942, num. cat. 33
  4. 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18/12/1965 - 13/03/1966, num. cat. 86
  5. 1970, Rotterdam, Museum Boymans-van Beuningen, Dalí, 21/11/1970 - 10/01/1971, num. cat. 56
  6. 1989, Stuttgart, Staatsgalerie, Salvador Dalí, 1904-1989, 13/05/1989 - 23/07/1989, num. cat. 196
  7. 1989, Humlebaek, Louisiana Museum of Modern Art, Salvador Dali, 16/12/1989 - 11/03/1990, num. cat. 31
  8. 1990, Montréal, Musée des Beaux-Arts, Salvador Dalí, 27/04/1990 - 29/07/1990, num. cat. 39
  9. 2004, Venezia, Palazzo Grassi, Dalí, 12/09/2004 - 16/01/2005, num. cat. 169

Bibliographie

  1. James Thrall Soby, Salvador Dalí, The Museum of Modern Art, New York, 1941, p. 62
  2. "Thousands Visit Museum First Day of Big Show", Times Herald, 09/10/1949, Dallas, Texas, s. p. (détail)
  3. "Conversation stopper", News, 14/10/1949, Dallas, Tex., s. p. (détail)
  4. Juan Antonio Gaya Nuño, Salvador Dalí, Omega, Barcelona, 1950, il. 27
  5. "Salvador Dali: die erfindungen der ungeheuer. gemälde; ferner spukhafte zeichnungen", Du, 30/11/1952, Zürich, s. p.
  6. Catalog of works by Salvador Dalí in public museum collections, The Reynolds-Morse Foundation, Cleveland [Ohio], 1956, p. 41
  7. Salvador Dalí, 1910-1965, The Foundation for Modern Art, New York, 1965, p. 71
  8. Max Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il. 230 (détail)
  9. Dalí, Museum Boymans-van Beuningen, Rotterdam, 1970, il. 56
  10. Dalí: Gemälde, Zeichnungen, Objekte, Schmuck, Staatliche Kunsthalle, Baden-Baden, 1971, p. 128
  11. Salvador Dalí : a guide to his works in public museums, The Dali Museum, Cleveland [Ohio], 1973, p. [4]
  12. Max Gérard, Dalí... Dalí... Dalí..., Harry N. Abrams, New York, 1974, il. 67 (détail)
  13. Tadao Ogura, Robert Descharnes, L'Art moderne du monde, Shueisha, Tokyo, 1974, il. 42, p. 112
  14. Alan G. Artner, "A flowering show of landscapes", Chicago Tribune, 18/08/1974, Chicago, s. p. (détail)
  15. Robert Descharnes, S. Terayama, Dalí: the book of great masters, Zauho, Tokyo, 1978, il. 1 (détail)
  16. Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 309
  17. Cesáreo Rodríguez-Aguilera, Salvador Dalí, Nauta, Barcelona, 1980, p. 19
  18. Hommage à Dalí, Vilo, Paris, 1980, p. 132
  19. James M. Markham, "Mysterious life of Salvador Dalí is a surreal canvas", Chicago Tribune, 25/10/1980, Chicago, s. p. (détail)
  20. A. M. Hammacher, Phantoms of the imagination : fantasy in art and literature from Blake to Dali, Harry N. Abrams, New York, 1981, p. 307
  21. Josep Pla, Salvador Dalí (il.), Obres de museu, DASA, Figueres, 1981, p. 48
  22. Dawn Ades, Dalí and surrealism, Harper & Row, New York, 1982, p. 114
  23. "Murio Gala Dalí, en Port Lligat (pàg.2)", Los Sitios, 11/06/1982, Girona, p. 6 (détail)
  24. Ignacio Gómez de Liaño, Dalí, Polígrafa, Barcelona, 1983, il. 77
  25. Conroy Maddox, Dalí, Newness Books, Feltham [Middlesex], 1983, p. 59
  26. Conroy Maddox, Dalí, Benedick Taschen, Köln, 1983, p. 59
  27. Miguel de Cervantes Saavedra, Salvador Dalí (il.), Il Fantastico idalgo don Chisciotte della Mancia, Del Drago, Milano, 1986, p. 102 (détail)
  28. Takahiko Okada, Dalí, Shueisha, [S.l.], 1986, p. 39
  29. Salvador Dalí, 1904-1989, Gerd Hatje, Stuttgart, 1989, p. 247
  30. Louisiana revy, [Louisiana Revy], Humlebaek, 1989, p. 39
  31. Antonio Pitxot, Galeria Biosca, Madrid, 1989, p. 103
  32. Salvador Dalí, Musée des Beaux-Arts, Montréal, 1990, p. 93
  33. Dalí, el pa, Tusquets, Barcelona, 1993, p. 44
  34. A. Reynolds Morse, Dali's animal crackers, Salvador Dalí Museum, St. Petersburg, Florida, 1993, p. 69 (2 détails), p. 124
  35. Jaime Brihuega, Miró y Dalí: los grandes surrealistas, Anaya, Madrid, 1993, p. 13
  36. Marco Di Capua, Dalí, Librairie Gründ, Paris, 1994, p. 193
  37. Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 292-293
  38. Haim Finkelstein, Salvador Dalí's art and writing, 1927-1942 : the metamorphoses of Narcissus, Cambridge University Press, Cambridge, 1996, p. 240
  39. Dawn Ades, Surrealist art : The Lindy and Edwin Bergman collection at the Art Institute of Chicago, The Art Institute of Chicago, Thames and Hudson, Chicago, London, 1997, p. 103
  40. Robert Goff, Salvador Dalí, La Martinière, Paris, 1998, p. 78-79
  41. The Universe of Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 1999, p. 20 (détail)
  42. Salvador Dalí : Dream of Venus, Fundació Gala-Salvador Dalí, Fundació "La Caixa", Figueres, Barcelona, 1999, p. 212
  43. Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 204-205
  44. The Portable Dalí, Universe, New York, 2003, p. 204-205
  45. Dalí, Bompiani, [Milà], 2004, p. 275
  46. Jordana Mendelson, Documenting Spain : artists, exhibition culture and the modern nation, 1929-1939, Pennsylvania State University Press, University Park, Pa., 2005, p. 215
  47. Marta Luna, Toni Matas, Dalí i els altres secrets, Distribucions d'Art Surrealista, Figueres, 2006, p. 7 (détail), p. 46
  48. Montse Aguer i Teixidor, Marc Aufraise, Dalí versus Schaal, Distribucions d'Art Surrealista (DAS), [Figueres], 2006, p. 36
  49. William Jeffett, Juan José Lahuerta, Picasso-Dalí, Dalí-Picasso, Museu Picasso, Salvador Dalí Museum, Barcelona, Sant Petersburg, 2014, p. 226 (image indirecte)

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