The Madonna of Portlligat (first version)
Cat. no. P 643
The Madonna of Portlligat (first version)
Description
- Date:
- 1949
- Technique:
- Oil on canvas
- Dimensions:
- 49.5 x 38.3 cm
- Signature:
- Signed and dated lower right corner: Dali 1949
- Location:
- Haggerty Museum of Art, Marquette University, Milwaukee. Gift of Mr. and Mrs. Ira Haupt
Provenance
- Mr. and Mrs. Ira Haupt
Observations
Although Dalí wrote Port Lligat, the normative for this place name is now in use.
Exhibitions
- 1964, New York, Fine Arts Pavilion New York World's Fair, Mother and Child in Modern Art, 22/04/1964 - 17/10/1965, cat. no. 5
- 1979, Paris, Centre Georges Pompidou, Musée National d'Art Moderne, Salvador Dalí: rétrospective, 1920-1980, 18/12/1979 - 21/04/1980, cat. no. 311
- 1982, Tokyo, Isetan Museum of Art, Rétrospective Salvador Dalí 1982, 28/02/1982 - 06/04/1982, cat. no.18
- 1982, Hiroshima, Hiroshima Prefectural Museum of Art, Rétrospective Salvador Dalí 1982, 11/06/1982 - 11/07/1982, cat. no. 18
- 1983, Madrid, Museo Español de Arte Contemporáneo, 400 obras de Salvador Dalí del 1914 al 1983, 15/04/1983 - 29/05/1983, cat. no. 380
- 1984, New Orleans, New Orleans Vatican Pavillion. Louisiana World Exhibition, Treasures of the Vatican, 12/05/1984 - 11/11/1984
- 1989, Stuttgart, Staatsgalerie, Salvador Dalí, 1904-1989, 13/05/1989 - 23/07/1989, cat. no. 245
- 1990, Montréal, Musée des Beaux-Arts, Salvador Dalí, 27/04/1990 - 29/07/1990, cat. no. 73
- 1991, Tokyo, Mitsukoshi Museum of Art, Dalí exhibition, 10/10/1991 - 17/11/1991, cat. no. 53
- 1996, Barcelona, La Pedrera, Dalí. Arquitectura, 19/06/1996 - 25/08/1996, cat. no. 24
- 1998, Liverpool, Tate Gallery Liverpool, Salvador Dalí: a mythology, 21/10/1998 - 31/01/1999, cat. no. 46
- 1998, Rio de Janeiro, Museu Nacional de Belas Artes, Dali Monumental, 25/03/1998 - 27/05/1998, il. 40
- 2000, Hartford, Connecticut, Wadsworth Atheneum Museum of Art, Dalí's optical illusions, 21/01/2000 - 26/03/2000, cat. no. 50
- 2004, Venezia, Palazzo Grassi, Dalí, 12/09/2004 - 16/01/2005, cat. no. 214
- 2010, Atlanta, High Museum of Art, Salvador Dalí: The late work, 07/07/2010 - 09/02/2011, cat. no. 13
Bibliography
- "Dali «Returns to Religion» After Audience With Pope", Times Herald, 24/11/1949, Dallas, Tex., n. p.
- Barrett Mcgurn, "Dali Shows Pope New Painting: Surrealist Madonna and Child", Herald Tribune, 24/11/1949, New York, n. p.
- Barrett Mcgurn, "Dali Displays Lastest Painting Of Madonna, Child To Pontiff", Journal Herald, 24/11/1949, Dayton, O, n. p.
- Barrett Mcgurn, "Dali Visits Pope, Shows Him Surrealist Madonna and Child", Herald Tribune, 24/11/1949, New York, p. 1-2
- "Dali Changes Artistic Style", Tribune, 25/11/1949, Lawrence, Mass, n. p.
- "Dali back with surrealist Madonna he showed to the Pope", Herald Tribune, 22/12/1949, s. l., n. p. (indirect image)
- [Surrealist Madonna (il)], Post, 26/12/1949, Houston, Tex, n. p. (indirect image)
- "Du surréalisme à l' art sacré", L'aurore, 26/12/1949, Paris, n. p. (indirect image)
- "«La Madone» de Salvador Dali (il)", France, 27/12/1949, Marseille, n. p. (indirect image)
- [Salvador Dali l'un des peintres...(il)], Sud-ouest, 27/12/1949, Bordeaux, n. p. (indirect image)
- "Le roi des surrealistes se lance dans la peinture religieuse (il)", Midi Libre, 27/12/1949, Montpellier, n. p. (indirect image)
- "Madone surréaliste", La Montagne, 27/12/1949, Clermont, n. p. (indirect image)
- Louis Pauwels, "Salvador Dali a fait au pape une visite «de politese», dit-il", Le Figaro Litteraire, 31/12/1949, Paris, n. p. (indirect image)
- Panorama dell'arte italiana, Lattes, Torino, 1950, p. 107 (indirect image)
- Michel Tapié, Le coeur: extrait des Études Carmélitaines, [Desclée de Brouwer], [Bruges], [1950], p. 287
- H. L. Dungan, "Three New Exhibitions at DeYoung", Tribune, 29/01/1950, Oakland, Cal., n. p. (indirect image)
- "[Surrealist exhibits work...] ( il )", Herald, 15/02/1950, Canova, S.d., n. p. (indirect image)
- Jose Mª Massip, "Dali hoy", Destino, 01/04/1950, Barcelona, p. 3
- "First color presentation of Salvador Dalí's Port Lligat Madonna", Los Angeles Times, 09/04/1950, Los Angeles, n. p.
- "First color presentation of Salvador Dalí's Port Lligat Madonna", Los Angeles Times, 09/04/1950, Los Angeles, n. p. (detail)
- Emily Genauer, "The Salvador Dali Madonna", This Week Magazine. New York Herald Tribune, 09/04/1950, New York, NY, cover
- "Toward Raphael", Time, 17/04/1950, New York, p. 66
- Emily Genauer, "La pintura religiosa de Dali", El Tiempo, 17/04/1950, Madrid, n. p.
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- Wambly Bald, "Dali suggests dreams as cure for worries", New York Post, 21/12/1950, New York, n. p. (indirect image)
- Salvador Dalí, 50 secretos mágicos para pintar, Luis de Caralt, Barcelona, 1951, p. 160
- "Pintura. Caos internacional", Semana, 13/01/1951, Bogotá, p. 25 (indirect image)
- Manuel del Arco, Salvador Dalí, Dalí al desnudo, José Janés, Barcelona, 1952, n. p.
- William E. Barlow, "El Cristo de Dalí", Visión, 01/04/1952, New York, p. 2 (indirect image)
- Michael Deon, P. Roumeguere, "Salvador Dali", Reforme, 24/05/1952, Paris, n. p. (detail)
- Armand Lanoux, "Salvador Dali «monstre sacré»", Jardin Des Arts, 30/09/1955, Paris, p. 685 (indirect image)
- "Dans le cadre du IX Destival belge d'été, 90 oeuvres de Salvador Dali au Casino de Knokke du 30 juin au 10 septembre", Beaux Arts, 22/06/1956, Bruxelles, n. p. (indirect image) (detail)
- "Les Métamorphoses de Dali", Le Soir, 04/07/1956, Bruxelles, n. p.
- A. Reynolds Morse, Michel Tapié, Dalí: a study of his life and work, New York graphic Society, Greenwich [Connecticut], 1958, p. 62
- Sanka Knox, "Global Art Shows Opens Here Today", New York Times, 29/10/1958, New York, n. p. (indirect image)
- "Marquette Is Given a Painting by Dali", Journal, 13/10/1959, Milwaukee, Wis., n. p. (indirect image)
- Margaret Fish, "Beauty, Dignity Of Mosaic Win Praise For Lewandowski", Sentinel, 22/11/1959, Milwaukee, Wis., n. p. (detail)
- "Dali painting given to University", Press, 26/12/1959, Asbury Park, N.j., n. p. (indirect image)
- 100 aquarelles pour la Divine Comédie de Dante Alighieri par Salvador Dalí, Joseph Foret, Les Heures Claires, Paris, 1960, p.18
- Gustav René Hocke, El Manierismo en el arte europeo de 1520 a 1650 y en el actual, Guadarrama, Madrid, 1961, n. p. (detail)
- Gordon Muck, "The «Mother and Child Exhibit»", The Post - Standard Sunday Magazine, 22/12/1963, Syracuse, N.y., cover (detail)
- Mother and child in modern art, Duell, Sloan and Pearce, New York, [1964], il. 5
- "Mother through artists'.....", Ames Daily Tribune, 09/05/1964, Ames, IA, p. 3 (detail)
- "Madonna of Portlligat, Salvador Dali. (il.)", Pageant Magazine, 31/05/1964, New York, N.y., n. p.
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- [The subject is...], Journal, 08/05/1965, Milwaukee, Wis., n. p.
- "Mother's Day in Modern Art", Register, 09/05/1965, New Haven, Conn., n. p.
- "Artists Take A Modern Art Look At the Perennial Pair That Has Fascinated Them For Centuries: Mother and Child", Post-times-herald, 09/05/1965, Washington, D. C., n. p. (detail)
- "Tree traffic", Inquirer, 09/05/1965, Philadelphia, Pa., n. p. (detail)
- "Mother's day art", Evening Globe, 09/05/1965, Boston, Mass., p. 31 (indirect image)
- "Mother and child in Moderna Art", The Washington Post, 09/06/1965, Washington, n. p. (detail)
- "Mother and child in modern art", Post-times-herald, 09/06/1965, Washington, D.c., n. p. (detail)
- Pamela Howard, "Museum proves all the world loves a mother", News, 11/06/1965, Washington, D.c., n. p.
- Elisabeth Stevens, "Stickiness of momism smothers the good", Post-times-herald, 13/06/1965, Washington, D.c., n. p.
- Joseph R. Hertzi, "Art exhibit opens at institute today", Repository, 24/10/1965, Canton, Ohio, n. p. (detail)
- "Art Museum Has Christmas Fare", News-sentinel, 02/12/1966, Ft. Wayne, Ind., n. p.
- Barbara Thexton, "Art Exhibit Features Christmas Story Paintings", Journal-gazette, 08/12/1966, Ft. Wayne, Ind., n. p.
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- Claude Pallene, "Comment les servitudes de son inspiration ont amené Dali à la grandeure", journal de l'amateur d'art, 01/12/1979, Paris, Fr, p. 15
- Salvador Dalí, The Tate Gallery, London, 1980, il. 213
- Richard Roud, "A man for bright ideas", The Guardian, 05/01/1980, Manchester, p. 10 (detail)
- Hugh Adams, "In Praise of Folly", Art And Artists, 31/03/1980, London, n. p. (detail)
- -, Michael Gibson, "The disguises and dilemmas of Dalí (coberta) / Dalí: «The difference between a madman and myself is that I am not mad»", Art News, 30/04/1980, New York, p. 91
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- Narcís Genís, "«Juro davant de Déu, de la Gala i dels espanyols honrats, que aquest quadreés completament fals»", Punt Diari, 19/08/1982, Girona, p. 3 (detail)
- Narcís Genís, "«Tinc moltes ganes d'anar al Museu de Figueres, amb en Pitxot, així que pugui»", El Punt, 19/08/1982, Girona, p. 3 (detail)
- "La Generalitat quiere adquirir una «Madonna» de Dalí", El Correo Catalán, 14/09/1982, Barcelona, n. p.
- "«La Madona de Port Lligat a Catalunya»", Los Sitios, 17/09/1982, Girona, n. p. (detail)
- "«La madona de Port Lligat» a Catalunya", Los Sitios, 17/09/1982, Girona, n. p.
- 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, [Madrid], 1983, p. 217
- Ignacio Gómez de Liaño, Dalí, Polígrafa, Barcelona, 1983, il. 99
- Clarà, Dalí, Monturiol, Pla, Vayreda, Diputació Provincial de Girona, Nou Art Thor, Girona, Barcelona, 1983, p. 26 (detail)
- Jaume Socias, Dalí, Nou Art, Barcelona, 1983, p. 26 (detail)
- "Llega a Madrid la «Madona de Port Lligat», de Dalí", Informaciones, 16/03/1983, Madrid, n. p.
- "«La Madona de Port Lligat»", Información, 16/03/1983, Alicante, n. p.
- "Dalí, ochenta años", Abc, 12/05/1984, Madrid, p. 96
- Solennità dell'Immacolata Concezione della beata Vergine Maria, Basilica Vaticana, [Ciutat del Vaticà], 1985, cover
- Josep Vallès i Rovira, Dalí delit Empordà, Carles Vallès, Figueres, 1987, p. 153
- Agustín Sánchez Vidal, Buñuel, Lorca y Dalí: el enigma sin fin, Planeta, Barcelona, 1988, p. 313
- Salvador Dalí, 1904-1989, Gerd Hatje, Stuttgart, 1989, p. 319
- Entender la pintura : Dalí, Orbis - Fabri, Barcelona, 1989, p. 27
- Leticia Azcue Brea, Salvador Dalí, Colegio de España, Salamanca, 1990, p. 71
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- Dalí exhibition, Mitsukoshi Museum of Art, Tokyo, 1991, p. 105
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- Jaime Brihuega, Miró y Dalí: los grandes surrealistas, Anaya, Madrid, 1993, p. 78
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- Robert Radford, Dalí, Phaidon, London, 1997, p. 241
- Ian Gibson, The Shameful life of Salvador Dalí, Faber and Faber, London, 1997, il. XXXIV
- A door to the dream world, Korinsha Press, Kyoto, 1998, p. 186 (detail)
- Dalí monumental, Museu de Arte de Sao Paulo Assis Chateaubriand, Sao Paulo, 1998, p. 51
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- Warum tut das Loch in meiner Hand nicht weh?, Tympano, München, 2000, p. 60
- Dalí's optical illusions, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 2000, p. 159, p. 157 (detail)
- Lluís Llongueras, Todo Dalí : vida y obra del personaje más genial y espectacular del siglo XX, Generalitat de Catalunya, [Barcelona], 2003, p. LXXVI
- Sebastià Roig, Jordi Puig, Dalí : el triangle de l'Empordà, Fundació Gala-Salvador Dalí, Triangle Postals, Figueres, Menorca, 2003, p. 121
- Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 279
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- Modernismo e avanguardia : Picasso, Miró, Dalí e la pittura catalana, Skira, Milano, 2003, p. 220
- The Portable Dalí, Universe, New York, 2003, p. 279
- Jean-Louis Gaillemin, Dali : le grand paranoïaque, Découvertes Gallimard Arts, París, 2004, p. 119
- Enric Bou, Daliccionario : objetos, mitos y símbolos de Salvador Dalí, Tusquets, Barcelona, 2004, p. 29
- Jean-Louis Gaillemin, Dalí : master of fantasies, Harry N. Abrams, New York, 2004, p. 119 (detail)
- Salvador Dalí, Obra completa : Ensayos 2, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, Barcelona, [Figueres], [Madrid], 2005, p. 268
- Lucía García de Carpi, Salvador Dalí, Ambos Mundos, Salamanca, 2005, p. 113, p. 131 (detail)
- "The Grand Master of Surrealism Salvador Dali", Usa today magazine, 31/05/2005, McLean, VA, p. 36
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- Marta Luna, Toni Matas, Dalí i els altres secrets, Distribucions d'Art Surrealista, Figueres, 2006, p. 23
- Carmen Giménez, Francisco Calvo Serraller, Pintura española de El Greco a Picasso : el tiempo, la verdad y la historia., Sociedad Estatal para la Acción Cultural Exterior (SEACEX), Guggenheim Museum, Tf. editores, Madrid, Nueva York, Madrid, 2006, p. 255
- Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten, Transcript, Bielefeld, 2007, p. 130 (Abb. 2)
- Gavin Parkinson, Surrealism, art and modern science : relativity, quantum mechanics, epistemology, Yale University, New Haven & London, 2008, p. 208
- The Dalí renaissance : new perspectives on his life and art after 1940, Philadelphia Museum of Art, Philadelphia, 2008, p. 8
- Mary Ann Caws, Salvador Dalí, Reaktion Books, London, 2008, p. 125
- Montse Aguer i Teixidor, Los tesoros de Salvador Dalí, Librería Universitaria, Barcelona, 2009, p. 43
- Francesca Adamo, Caterina Pennestrì, Il Destino di un incontro : Salvador Dalì e Walt Disney, Mimesis, Milano, 2010, p. 84
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- Ralf Schiebler, Dalí : the reality of dreams, Prestel, Munich, London, New York, 2011, p. 88
- Dalí un artista un genio, Skira, Milano, 2012, p. 170, p. 173 (detail)
- Gabriel Montua, Dalís 20. Jahrhundert : die westliche Kunst zwischen Politik, Markt und Medien, De Gruyter, Boston, Berlin, 2015, il. XXXVIII
- Daniel R. Caruncho, Salvador Dalí, las obras de su vida, Dos de Arte, Barcelona, 2015, p. 62
- Dalí: Il sogno del Classico, Skira, Milano, 2016, p. 33
- Dalí Pitxot : une amitié au cœur du surréalisme, Marot, Musée de Beaux -Arts, [S.l.], Tournai, 2017, p. 133 (detail)
- Dalí atómico, Fundación Bancaria "la Caixa", [Barcelona], 2018, p. 146
Reproduction Rights
The copyright on Salvador Dalí's works, included those that are reproduced in this Web page, is held by the Spanish State and has been granted in exclusivity to the Fundació Gala-Salvador Dalí.
Pursuant to intellectual property laws in force, the total or partial reproduction, distribution, transformation, public communication, interactively making available to the public, as well as any other exploitation, by any means, of the works included in this Web page is prohibited.
Any exploitation of Salvador Dalí's works is subject to the prior application and clearance of the relevant licence issued by VEGAP (tel. 91 532 66 32 and 93 201 03 31 ; www.vegap.es). Copyright infringement will be prosecuted according to Laws.