Description

Date:

1929

Technique:

Oil and collage on wood panel

Dimensions:

49.5 x 64 cm

Signature:

Unsigned and undated

Location:

The Dali Museum, St. Petersburg (Florida)

Provenance

1. Galerie André Weil, Paris
2. E. and A. Reynolds Morse, Cleveland (Ohio)

Exhibitions

1. 1929, París, Galerie Goemans, Dalí, 20/11/1929 - 05/12/1929, cat. no. 7
2. 1930, Paris, Galerie Goemans, Exposition de collages, March 1930, cat. no. 5
3. 1952, Basel, Kunsthalle Basel, Phantastische Kunst des XX.Jahrhunderts, 30/08/1952 - 05/10/1952, cat. no. 61
4. 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18/12/1965 - 13/03/1966, cat. no. 246
5. 1994, London, Hayward Gallery, Salvador Dalí: the early years, 03/03/1994 - 30/05/1994, cat. no. 110
6. 1998, Liverpool, Tate Gallery Liverpool, Salvador Dalí: a mythology, 21/10/1998 - 31/01/1999, cat. no. 4
7. 1999, St. Petersburg, Salvador Dalí Museum, Salvador Dalí: a mythology, 05/03/1999 - 24/05/1999, cat. no. 4
8. 1999, Tokyo, Mitsukoshi Museum of Art, Dali exhibition 1999, 12/06/1999 - 20/08/1999, cat. no. 15
9. 2000, St. Petersburg, Florida, The Salvador Dalí Museum, Masterpieces of surrealism, 26/01/2000 - 16/04/2000, cat. no. 22
10. 2004, Venezia, Palazzo Grassi, Dalí, 12/09/2004 - 16/01/2005, cat. no. 64
11. 2006, Tokio, Ueno Royal Museum, Salvador Dali centennial retrospective, 23/09/2006 - 04/01/2007, cat. no. 13
12. 2007, London, Tate Modern, Dalí & Film, 01/06/2007 - 09/09/2007, il. 7
13. 2009, Melbourne, National Gallery of Victoria, Salvador Dalí : liquid desire, 13/06/2009 - 04/10/2009, no reference
14. 2012, Paris, Centre Pompidou, Dalí, 21/11/2012 - 25/03/2013, p. 118
15. 2013, Madrid, Museo Nacional Centro de Arte Reina Sofía, Dalí. Todas las sugestiones poéticas y todas las posibilidades plásticas, 27/04/2013 - 02/09/2013, p. 118

Bibliography

1. Louis Aragon, La Peinture au défi, Librairie José Corti, Paris, 1930, il. XXIII
2. Guillermo de Torre, Itinerario de la nueva pintura española, [S.n.], Montevideo, 1931, p. 29
3. Salvador Dalí, The IMS Press, Cleveland [Ohio], 1954, p. 49
4. A. Reynolds Morse, Michel Tapié, Dalí: a study of his life and work, New York graphic Society, Greenwich [Connecticut], 1958, p. 24
5. Salvador Dalí, 1910-1965, The Foundation for Modern Art, New York, 1965, p. 34
6. Max Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il. 82 (detail)
7. Dali par Dali, Draeger, [Paris], 1970, p. 106-107 (detail)
8. Ninety-three oils by Salvador Dalí : 1917-1970, The Salvador Dali Museum, Cleveland, 1973, p. 148 (detail)
9. Salvador Dalí ... a panorama of his art, The Salvador Dali Museum, Cleveland, 1974, p. 50, p. 148
10. Jacques Dopagne, Dalí, Fernand Hazan, Paris, 1974, il. 15 (detail), il. 16
11. Max Gérard, Dalí... Dalí... Dalí..., Harry N. Abrams, New York, 1974, il. 40
12. Luis Romero, Todo Dalí en un rostro, Blume, Barcelona, Madrid, 1975, p. 82 (detail)
13. Le Surréalisme, XXe siècle, Paris, 1975, p. [30]
14. Salvador Dalí, René Passeron, Salvador Dalí, Filipacchi, Paris, 1978, p. 34
15. Salvador Dalí, selected works, Filipacchi, New York, 1979, p. 34
16. Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 126
17. Hommage à Dalí, Vilo, Paris, 1980, p. 54, p. 59
18. Salvador Dalí, The Tate Gallery, London, 1980, il. I
19. Josep Pla, Salvador Dalí (il.), Obres de museu, DASA, Figueres, 1981, p. 26
20. Francisco Calvo Serraller, "Dalí «Un fuera borda girando sin parar»", El País, 13/12/1981, Madrid, cover (2 details), p. 20 (detail)
21. Dawn Ades, Dalí and surrealism, Harper & Row, New York, 1982, p. 66
22. Conroy Maddox, Dalí, Newness Books, Feltham [Middlesex], 1983, p. 15
23. Ignacio Gómez de Liaño, Dalí, Polígrafa, Barcelona, 1983, il. 36
24. Francesc Miralles, Història de l'art català, Edicions 62, Barcelona, 1983, p. 93
25. Conroy Maddox, Dalí, Benedick Taschen, Köln, 1983, p. 15 (detail)
26. Salvador Dalí Domenech, "Dalí: esplendor y ocaso [coberta]", Tele Radio, 15/04/1983, Madrid, p. 18-19
27. Rafael Santos Torroella, La Miel es más dulce que la sangre : las épocas lorquiana y freudiana de Salvador Dalí, Seix Barral, Barcelona, 1984, p. 184
28. Sarane Alexandrian, Dalí, Fernand Hazan, Paris, 1985, il. 15 (detail), il. 16
29. Paul Moorhouse, Dalí, Magna Books, Wigston [Anglaterra], 1990, p. 36-37
30. Dalí: the Salvador Dalí museum collection, Bulfinch, Boston. Toronto. London, 1991, il. 34
31. Luis Romero, PsicoDálico Dalí, Mediterranea, Barcelona, 1991, p. 53 (detail)
32. Alessandr Rogin, [Salvador Dalí : el mite i la realitat], Republica, Moscou, 1992, p. 39
33. Mike Venezia, Salvador Dalí, Children Press, Chicago, 1993, p. 11
34. A. Reynolds Morse, Dali's animal crackers, Salvador Dalí Museum, St. Petersburg, Florida, 1993, p. 30 (2 details), p. 103 (detail)
35. Dalí, Cercle d'Art, Paris, 1994, il. 27
36. Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 149
37. Jessica Hodge, Salvador Dali, Barnes & Noble, New York, 1994, p. 46-47
38. Salvador Dalí: the early years, South Bank Centre, [London], 1994, cover, p. 152 (detail), p. 181
39. Salvador Dalí, Polígrafa, Barcelona, 1994, il. 27
40. David Carter, Salvador Dalí, Chelsea House, New York - Philadelphia, 1995, p. 62
41. Christopher Green, The European avant-gardes : art in France and Western Europe 1904-c.1945, Zwemmer, London, 1995, p. 107
42. Ralf Schiebler, Dalí : genius, obsession and lust, Prestel, Munich - New York, 1996, p. 39-39 (detail), p. 41
43. Kenneth Wach, Salvador Dalí : masterpieces from the collection of the Salvador Dalí Museum, Harry N. Abrams, Salvador Dalí Museum, New York, St. Petersburg, Florida, 1996, p. 57
44. Christopher Masters, Dalí, Phaidon, London, 1996, p. 57
45. Haim Finkelstein, Salvador Dalí's art and writing, 1927-1942 : the metamorphoses of Narcissus, Cambridge University Press, Cambridge, 1996, p. 92
46. Ian Gibson, The Shameful life of Salvador Dalí, Faber and Faber, London, 1997, il. XIII
47. Dawn Ades, Fiona Bradley, Salvador Dalí: a mythology, Tate Gallery Publishing, London, 1998, p. 41, p. 41 (detail), p. 109 (detail)
48. Fèlix Fanés, Salvador Dalí, la construcción de la imagen : 1925-1930, Electa, [Madrid], 1999, p. 148, p. 148 (detail)
49. Dali exhibition 1999, NTV Europe B.V., [S.l.], 1999, p. 69, p. 70-71 (detail)
50. Ian Gibson, Lorca-Dalí : el amor que no pudo ser, Plaza & Janés, Barcelona, 1999, p. 6
51. Masterpieces of surrealism, Salvador Dalí Museum, St. Petersburg, Florida, 2000, p. 20 (indirect image), p. 134
52. Fèlix Fanés, El Gran masturbador, Electa, Madrid, 2000, p. 18
53. Robert S. Lubar, The Salvador Dalí Museum collection, Bulfinch, Boston - New York - London, 2000, p. IX, p. 54
54. Dalí's optical illusions, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 2000, p. 15, p. 15 (detail)
55. Ian Gibson, Dalí joven, Dalí genial, Aguilar, Madrid, 2001, p. 257
56. Jean-Louis Gaillemin, Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935, La Passage, Paris-New York, 2002, p. 135 (detail), p. 137 (detail), il. 19
57. Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 88
58. Ricard Mas Peinado, Universdalí, Lunwerg, Barcelona, Madrid, 2003, p. 83
59. Michael Elsohn Ross, Salvador Dalí and the surrealists, their lives and ideas : 21 activities, Chicago Review Press, Chicago, 2003, p. II (detail), p. 49
60. The Portable Dalí, Universe, New York, 2003, p. 88
61. Maria Lluïsa Borràs, Salvador Dalí : vida i obra d'un geni, Columna, Barcelona, 2004, n. p.
62. Jean-Louis Gaillemin, Dalí the impresario of surrealism, Thames & Hudson, London, 2004, p. 1 (detail), p. 2-3 (detail), p. 4-5 (detail), p. 6-7 (detail), p. 8-9 (detail), p. 51 (detail)
63. Beatriz Fernández Ruiz, De Rabelais a Dalí : la imagen grotesca del cuerpo, Universitat de València, València, 2004, p. 259 (detail), cover
64. Persistence and memory : new critical perspectives on Dalí centennial, Bompiani, [Milà], 2004, p. 29 (detail)
65. Enric Bou, Daliccionario : objetos, mitos y símbolos de Salvador Dalí, Tusquets, Barcelona, 2004, p. 12
66. Dalí, Bompiani, [Milà], 2004, p. 113, p. 114 (detail)
67. Patrice Schmitt, Étude psychanalytique de la création chez Salvador Dalí, Lacour-Ollé, Nimes, 2004, il. 1.4
68. Jean-Louis Gaillemin, Dali : le grand paranoïaque, Découvertes Gallimard Arts, París, 2004, p. 1-9 (details), p. 51
69. Jean-Louis Gaillemin, Dalí : master of fantasies, Harry N. Abrams, New York, 2004, p. 1-9 (details), p. 51, p. 51 (details)
70. Vicent Santamaria de Mingo, El Pensament de Salvador Dalí en el llindar dels anys trenta, Publicacions de la Universitat Jaume I, Castelló de la Plana, 2005, p. 276 (detail)
71. Salvador Dali centennial retrospective, Ueno Royal Museum, Ueno, 2006, p. 55, p. 56, p. 57, p. 54 (detail)
72. Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, Ostfildern, 2006, p. 109
73. Dalí & film, Tate Publishing, London, 2007, p. 23
74. Mª Mercè Riera i Arnijas, Dalí, Ciro, [Barcelona], 2008, p. 71, p. 142
75. Salvador Dalí : liquid desire, National Gallery of Victoria, Fundació Gala- Salvador Dalí, The Salvador Dalí Museum, Melbourne, Figueres, St. Petersburg (Florida), 2009, p. 90
76. Dalí, Lorca y la Residencia de Estudiantes, Sociedad Estatal de Conmemoraciones Culturales, [Madrid], 2010, p. 284 (detail)
77. Catherine Grenier, Salvador Dalí : l'invention de soi, Flammarion, París, 2011, p. 96
78. Ralf Schiebler, Dalí : the reality of dreams, Prestel, Munich, London, New York, 2011, p. 38-39 (detail), p. 41
79. Dalí, Centre Pompidou, Paris, 2012, p. 118
80. Roger Rothman, Tiny surrealism : Salvador Dalí and the aesthetics of the small, University of Nebraska, Lincoln & London, 2012, p. 65
81. Catherine Ingram, Andrew Rae (il.), This is Dalí, Laurence King Publishing, London, 2014, p. 32
82. William Jeffett, Juan José Lahuerta, Picasso-Dalí, Dalí-Picasso, Museu Picasso, Salvador Dalí Museum, Barcelona, Sant Petersburg, 2014, p. 171
83. Disney & Dalí : architects of the imagination, Disney, Los Angeles, New York, 2015, p. 31
84. Daniel R. Caruncho, Salvador Dalí, las obras de su vida, Dos de Arte, Barcelona, 2015, p. 31
85. Dali : poetics of the small, 1929-1936, Meadows Museum, Dallas, 2018, p. 26, p. 96 (detail)

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