Soft construction with boiled apricots
Soft Construction with Boiled Beans (Premonition of Civil War)
Cat. no. P 446
Soft construction with boiled apricots
Soft Construction with Boiled Beans (Premonition of Civil War)
Description
- Date:
- 1936
- Technique:
- Oil on canvas
- Dimensions:
- 99.9 x 100 cm
- Signature:
- Unsigned and undated
- Location:
- Philadelphia Museum of Art, Philadelphia (Pennsylvania). The Louise and Walter Arensberg collection
Provenance
- Possibily Peter Watson, London
- Julien Levy Gallery, New York
- Stendahl Art Galleries, Los Angeles (California)
- Louise and Walter C. Arensberg, Los Angeles (California)
Observations
The fact that the original title of this work is "Soft construction with boiled apricots" and not "Soft Construction with Boiled Beans" it is probably due to a translating error. The word "haricots" was confused with "abricots".
Exhibitions
- 1936, London, Alex, Reid & Lefevre, Ltd., Salvador Dali, 01/06/1936 - 31/07/1936, cat. no. 5
- 1936, New York, Julien Levy Gallery, Souvenir - Catalogue, 10/12/1936 - 09/01/1937, cat. no. 16
- 1937, Pittsburg, Carnegie Institute, The 1937 International Exhibition of Paintings, 14/10/1937 - 05/12/1937, cat. no. 288
- 1941, New York, The Museum of Modern Art, Salvador Dalí, 19/11/1941 - 11/01/1942, cat. no. 32
- 1958, Bruxelles, Palais International des Beaux-Arts, 50 ans d'art moderne, 17/04/1958 - 19/10/1958, cat. no. 66
- 1964, Hollywood Boulevard, Municipal Art Gallery, An exhibition of drawings and paintings by Salvador Dalí, 20/11/1964 - 20/12/1964, cat. no. 3
- 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18/12/1965 - 13/03/1966, cat. no. 79
- 1970, Rotterdam, Museum Boymans-van Beuningen, Dalí, 21/11/1970 - 10/01/1971, cat. no. 52
- 1979, Paris, Centre Georges Pompidou, Musée National d'Art Moderne, Salvador Dalí: rétrospective, 1920-1980, 18/12/1979 - 21/04/1980, cat. no. 243
- 1987, Barcelona, Palau de la Virreina, Homenatge a Barcelona : la ciutat i les seves arts, 1888 -1936, 21/01/1987 - 29/03/1987, cat. no. 60
- 1989, Stuttgart, Staatsgalerie, Salvador Dalí, 1904-1989, 13/05/1989 - 23/07/1989, cat. no. 150
- 1990, Berkley, California, University Art Museum - University of California at Berkeley, Anxious visions: surrealist art, 03/10/1990 - 30/12/1990, cat. no. 195
- 1994, Düsseldorf, Kunsthalle, El Surrealismo en España, 11/02/1994 - 17/04/1994, cat. no. 47
- 2000, Hartford, Connecticut, Wadsworth Atheneum Museum of Art, Dalí's optical illusions, 21/01/2000 - 26/03/2000, cat. no. 25
- 2004, Venezia, Palazzo Grassi, Dalí, 12/09/2004 - 16/01/2005, cat. no. 159
- 2006, Köln, Museum Ludwig, Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, 18/03/2006 - 25/06/2006, cat. no. 45
- 2006, Cleveland, Ohio. USA, Cleveland Museum of Art, Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí, 15/10/2006 - 07/01/2007, cat. no. 9:1
- 2008, Ottawa, National Gallery of Canada, The 1930s: the making of "the new man", 06/06/2008 - 01/09/2008, cat. no. 187
- 2011, Riehen/Basel, Fondation Beyeler, Surrealism in Paris, 02/10/2011 - 29/01/2012, p. 246-247
- 2012, Paris, Centre Pompidou, Dalí, 21/11/2012 - 25/03/2013, p. 227
- 2013, Madrid, Museo Nacional Centro de Arte Reina Sofía, Dalí. Todas las sugestiones poéticas y todas las posibilidades plásticas, 27/04/2013 - 02/09/2013, p. 227
Bibliography
- E. Tériade, "La peinture surréaliste", Minotaure, 15/06/1936, Paris, p. 11
- Salvador Dalí, [Première loi morphologique sur les poils dans les structures molles (il.)], Minotaure, 15/10/1936, Paris, n. p.
- -, Life European artists sweep carnegie show, [S.n.], New York City, 1937, p. 27
- "Boiled beans, Civil War and Salvador Dali", Indiana Evening Gazette, 16/10/1937, Indiana, PA, p. 3 (detail)
- "Dali has premonition of «Soft Beans and Civil War»", Gastonia Daily Gazatte, 18/10/1937, s. l., cover (detail)
- "Boiled Beans, Civil War...", Ogdensburg Journal, 22/10/1937, Ogdensburg, NY, p. 10
- "Artist's conception of war", News, 17/10/1939, New Brunswick, N. J., n. p.
- James Thrall Soby, Salvador Dalí, The Museum of Modern Art, New York, 1941, p. 61
- "Senor Dali Writes Captions, Too", Star, 28/12/1941, Indianapolis, Ind., n. p.
- Salvador Dalí, Vida secreta de Salvador Dalí, Poseidón, Buenos Aires, 1944, il. 10, il. II (detail)
- "Premonition of Civil War", Los Angeles Times, 30/10/1944, Los Angeles, n. p. (detail)
- Jo Gibbs, m.r., "Arensberg gives collection to California/whiter goes abstract and surrealist art?", The Art Digest, 01/12/1944, New York
- "Great art...in four California houses", Vogue, 01/02/1945, Greenwich, Conn., p. 132 (indirect image)
- Winthrop Sargeant, "Dali", Life, 24/09/1945, [chicago], p. 64-65
- Carlos Davila, "¿Picasso a un manicomio?", Semana, 26/02/1946, s. l.
- Julio Coll, "La vida secreta de Salvador Dalí", Liceo, 30/09/1947, Barcelona, n. p. (detail)
- Rafael Manzano, "Dali contesta a los que hablaron de su pintura en fotos", Fotos, 11/09/1948, Madrid, n. p.
- Juan Antonio Gaya Nuño, Salvador Dalí, Omega, Barcelona, 1950, il. 25
- Marcel Lecomte, "Rayonnement poètique et peinture", Le Journal Des Poetes, 30/06/1951, Bruxelles, p. 6
- Catalog of works by Salvador Dalí in public museum collections, The Reynolds-Morse Foundation, Cleveland [Ohio], 1956, p. 37
- G. Wynnand, "España sin Dalí", Ayer y Hoy, 30/11/1956, Toledo, p. 12 (detail)
- Alexandre Cirici Pellicer, El Surrealismo, Omega, Barcelona, 1957, il. 43
- Salvador Dalí, Dalí on modern art : the cuckolds of antiquated modern art, Dial Press, New York, 1957, cover (indirect image)
- Salvador Dalí, Dalí on modern art : les cocus du vieil art moderne, Kinokuniya, Tokyo, 1958, cover
- 50 ans d'art moderne, Expositions Internationales des Beaux-Arts, Bruxelles, 1958, il. XXI
- A. Reynolds Morse, Michel Tapié, Dalí: a study of his life and work, New York graphic Society, Greenwich [Connecticut], 1958, p. 45
- 100 aquarelles pour la Divine Comédie de Dante Alighieri par Salvador Dalí, Joseph Foret, Les Heures Claires, Paris, 1960, p. 65
- Emilano M. Aguilera, Panorama de la pintura española, Hymsa, Barcelona, 1960, back cover (detail), p. 381
- Denis Leon, "Surrealism Plumbs New Levels Of Perception", Inquirer, 14/08/1960, Philadelphia, Pa., n. p.
- "Kultur. Malerei. Salvador Dalí", Der Spiegel, 28/12/1960, Hamburg, n. p.
- Gustav René Hocke, El Manierismo en el arte europeo de 1520 a 1650 y en el actual, Guadarrama, Madrid, 1961, n. p. (detail)
- "Apokalipsa + Dali = Milion", Przeglab Kulturalnv, 16/06/1961, Varsòvia, n. p. (detail)
- M.d. C., "Salvador Dali ou les hallucinations d' un méditerranéen", Réalités, 30/06/1961, Paris, p. 72 (detail)
- Dalí [An exhibition of drawings and paintings by Salvador Dalí], Municipal Art Gallery, Hollywood Boulevard, (1964), n. p.
- Salvador Dalí, 1910-1965, The Foundation for Modern Art, New York, 1965, p. 81
- Walter Schünemann, Werner bokelberg, "Salvador Dali «Ich bin ein Genie»", Stern, 29/08/1965, Hamburg, p. 24-25
- Emily Genauer, "400 Works by Dali Prove It: He's Great", New York Herald-tribune, 18/12/1965, New York, N.y., n. p. (detail)
- "Art beyond beauty", Md, 31/12/1965, New York, N.y., p. 195
- Charlotte Willard, [Despite the muttering...], New York Post, 02/01/1966, New York, N.y., p. 14
- Sushil Mukherjee, "Salvador Dali in New York", Berkshire Eagle, 06/01/1966, Pittsfield, Mass., n. p. (detail)
- Vincent Price, "Realism and the artist", Sentinel, 18/09/1966, Orlando, Fla., n. p.
- Vincent Price, "What is reality?", Post, 18/09/1966, Houston, Tex., n. p. (detail)
- Vincent Price, "Art and Reality Are Kissin' Cousins", Chicago Tribune, 18/09/1966, Chicago, n. p. (detail)
- Vincent Price, "Art is a profound, inscrutable trick", News, 09/10/1966, Birmingham, Ala., n. p. (detail)
- Vincent Price, "Beyond realism", Chronicle, 22/10/1967, Augusta, Ga., n. p. (detail)
- Max Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il. 15 (2 details)
- "Dada, Surrealism", Md, 11/11/1968, New York, n. p.
- Sarane Alexandrian, Dalí peintures, Fernand Hazan, Paris, 1969, p. 12
- Herbert S. Gershman, The Surrealist revolution in France, Ann Arbor, The University of Michigan Press, [S. l.], Michigan, 1969, p. 23
- Robert Lebel, "Le Dali de tout le monde ou la psychopathologie commercialisée", L'oeil, 31/01/1969, Paris, n. p. (detail)
- Peggy Anderson, "A Shopper's Guide to the Museums", Inquirer, 21/12/1969, Philadelphia, Pa., p. 12
- Alexandre Cirici Pellicer, L'Art català contemporani, Edicions 62, Barcelona, 1970, il. 6
- Dali par Dali, Draeger, [Paris], 1970, p. 128-129 (detail)
- Dalí, Museum Boymans-van Beuningen, Rotterdam, 1970, il. 52
- Salvador Dalí, Oui : méthode paranoïaque-critique et autres textes, Denoël, Gonthier, Paris, 1971, n. p.
- Jean Cassou, Panorama artelor plastice contemporane, Meridiane, Bucuresti, 1971, il. 23
- Cesáreo Rodríguez-Aguilera, Crónica de arte contemporáneo, Ariel, Barcelona, 1971, n. p. (detail)
- V. V. Vanslov, Yu. D. Kolpinski, [Modernisme : anàlisi i crítica de les tendències principals], Iskusstvo, Moscou, 1973, il. 99
- Salvador Dalí : a guide to his works in public museums, The Dali Museum, Cleveland [Ohio], 1973, p. [55]
- Jacques Dopagne, Dalí, Fernand Hazan, Paris, 1974, il. 35
- William Gaunt, Los Surrealistas, Labor, Barcelona [etc.], 1974, p. 159
- Ignasi Agustí, Ganas de hablar, Planeta, Barcelona, 1974, p. 29 (detail)
- Tadao Ogura, Robert Descharnes, L'Art moderne du monde, Shueisha, Tokyo, 1974, il. 40, p. 111
- Max Gérard, Dalí... Dalí... Dalí..., Harry N. Abrams, New York, 1974, il. 10 (detail)
- Luis Romero, Todo Dalí en un rostro, Blume, Barcelona, Madrid, 1975, p. 183 (detail)
- Ramón Gómez de la Serna, Dalí, Espasa-Calpe, Madrid, 1977, p. 78-79 (detail), p. 247 (detail)
- Carlo Munari, Arte del mundo moderno : del neoclásico al pop-art, Teide, Barcelona, 1977, p. 342
- "Le grand Dali et la petite folle [Coberta]", Dialogues Homophiles, 31/10/1977, Paris, p. 11 (detail)
- Robert Descharnes, S. Terayama, Dalí: the book of great masters, Zauho, Tokyo, 1978, il. 31
- Calvin Tomkins, Duchamp et son temps : 1887-1968, Time-Life International, Nederland, 1978, p. 140
- Malcolm Haslam, The Real world of the surrealists, Gallery Press, New York, 1978, p. 209
- Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 305
- Hommage à Dalí, Vilo, Paris, 1980, p. 47
- Salvador Dalí, The Tate Gallery, London, 1980, il. XIV
- "Dossier Dalí", Guadalimar, 31/01/1980, Madrid, cover (detail), índex
- Marianna Minola de Galloti, "Salvador Dalí en el «Beaubourg» de París", Goya, 31/07/1980, Madrid, p. 62 (detail)
- Josep Triola, "No posem perruquí a qui ja té cabellera", El Punt, 03/08/1980, Girona, n. p. (detail)
- Josep Pla, Salvador Dalí (il.), Obres de museu, DASA, Figueres, 1981, p. 78
- Dawn Ades, Dalí and surrealism, Harper & Row, New York, 1982, p. 110
- Dictionnaire général du surréalisme et ses environs, Office du Livre, Fribourg [Suisse], 1982, p. 151
- Claire Constans, Le XXe siècle, Réunion des Musées Nationaux, Paris, 1982, p. 12
- René Passeron, Enciclopedia del surrealismo, Polígrafa, Barcelona, 1982, p. 146
- Pierre Cabanne, El Arte del siglo veinte, Polígrafa, Barcelona, 1983, p. 147
- Francesc Miralles, Història de l'art català, Edicions 62, Barcelona, 1983, p. 217
- Ignacio Gómez de Liaño, Dalí, Polígrafa, Barcelona, 1983, il. 68
- Jaume Socias, Dalí, Nou Art, Barcelona, 1983, p. 22 (detail)
- Clarà, Dalí, Monturiol, Pla, Vayreda, Diputació Provincial de Girona, Nou Art Thor, Girona, Barcelona, 1983, p. 22 (detail)
- "Dalí es el Surrealismo", Abc, 07/05/1983, Madrid, p. 106
- "Dalì, clown e gloria di Spagna", La Stampa, 20/05/1983, Torino, p. 3 (detail)
- Francisco Calvo Serraller, "Balance critico de la retrospectiva Dali", Goya, 31/05/1983, Madrid, p. 374 (detail)
- Dalí, Sarpe, Madrid, 1984, p. 75
- Homage to Barcelona : the city and its arts, 1888 - 1936, Arts Council of Great Britain, [S.l.], 1985, p. 70
- Sarane Alexandrian, Dalí, Fernand Hazan, Paris, 1985, il. 35
- Rudolf Rom, Salvador Dalí, the surrealistic angel, Lorenzo & di Salvo, San Francisco, 1985, p. 131
- Antonio D. Olano, Nacimiento, vida, pasión, muerte, resurrección y gloria de Salvador, Domingo, Felipe, Jacinto Dalí Doménech, Cusí y Farrés, Marqués de Dalí y Púbol, Dyrsa, Madrid, 1985, p. 296 (detail)
- Takahiko Okada, Dalí, Shueisha, [S.l.], 1986, p. 53
- Cesáreo Rodríguez-Aguilera, Arte moderno en Cataluña, Planeta, Barcelona, 1986, p. 25
- Cesáreo Rodríguez-Aguilera, Arte moderno en Cataluña, Planeta, Barcelona, 1986, p. 25
- Josep Vallès i Rovira, Dalí delit Empordà, Carles Vallès, Figueres, 1987, p. 130
- Simon Wilson, La Peinture surréaliste, Ars Mundi, [S.l.], 1987, il.29
- Lluís Racionero, España en Europa, Planeta, Barcelona, 1987, cover
- Entender la pintura : Dalí, Orbis - Fabri, Barcelona, 1989, p. 15
- Salvador Dalí, Meisterwerke der dreissiger Jahre, Schirmer-Mosel, München, 1989, il. 25
- Salvador Dalí, 1904-1989, Gerd Hatje, Stuttgart, 1989, p. 197
- Maria Lluisa Borrás, "El enigma de Salvador Dalí", La Vanguardia, 29/01/1989, Barcelona, n. p. (detail)
- The Worlds of Gaudi and Dalí: fantasies in Spain | Dalí: his magic of figures, Asahi Shimbun, [S.l.], 1990, p. 60
- Los Dalís de Dalí: colección del museo nacional centro de arte reina Sofía, Centro cultural, Arte contemporaneo, México D. F., 1990, p. 29
- Leticia Azcue Brea, Salvador Dalí, Colegio de España, Salamanca, 1990, p. 46
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- Paul Moorhouse, Dalí, Magna Books, Wigston [Anglaterra], 1990, p. 82 (detail), p. 83
- Sidra Stich, Anxious visions: surrealist art, University Art Museum, Abbeville, Berkeley, New York, 1990, p. 155
- René Passeron, Salvador Dalí, Ars Mundi, [S.l.], 1990, p. 71
- Eric Shanes, Dalí, Debate, Madrid, 1991, p. 75
- Alessandr Rogin, [Salvador Dalí : el mite i la realitat], Republica, Moscou, 1992, p. 76
- Mike Venezia, Salvador Dalí, Children Press, Chicago, 1993, p. 31
- Jaime Brihuega, Miró y Dalí: los grandes surrealistas, Anaya, Madrid, 1993, p. 68
- Summa artis | Pintura y escultura española del siglo XX : 1900-1939, Espasa-Calpe, Madrid, 1993, p. 495
- Albert Domènech i Alberdi, Marta Ballester i Gasso, Art català, Generalitat de Catalunya. Departament de Cultura, [Barcelona], 1993, p. 51
- Dalí, Cercle d'Art, Paris, 1994, il. 61
- Marco Di Capua, Dalí, Librairie Gründ, Paris, 1994, p. 173
- Salvador Dalí, Polígrafa, Barcelona, 1994, il. 61
- Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 282
- Jessica Hodge, Salvador Dali, Barnes & Noble, New York, 1994, p. 78, p. 79 (detail)
- Agustín Sánchez Vidal, Dalí, Alianza, Madrid, 1994, il. 6
- Nathaniel Harris, The Life and works of Dalí, Parragon, [Regne Unit], 1994, p. 42
- El Surrealismo en España, Museo Nacional Centro de Arte Reina Sofía, [Madrid], 1994, p. 326
- André Bouguenec, Salvador Dalí : philosophe et esotériste incompris, Opéra, Nantes, 1994, p. V
- Dalí, Miró, Picasso e il surrealismo spagnolo, Skira, Milano, 1995, p. 17
- Sarane Alexandrian, Surrealist art, Thames and Hudson, London, 1995, p. 104
- Gilles Néret, Salvador Dalí : 1904-1989, Evergreen (Benedikt Taschen), [Köln], 1996, p. 47
- Christopher Masters, Dalí, Phaidon, London, 1996, p. 87
- Haim Finkelstein, Salvador Dalí's art and writing, 1927-1942 : the metamorphoses of Narcissus, Cambridge University Press, Cambridge, 1996, p. 158
- Face à l'histoire, 1933-1996 : l'artiste moderne devant l'événement historique, Flammarion, Centre Georges Pompidou, Paris, 1996, p. 139
- Ralf Schiebler, Dalí : genius, obsession and lust, Prestel, Munich - New York, 1996, p. 61
- New history of world art, Shogakukan, [S.l.], 1996, il. 31
- Robert Radford, Dalí, Phaidon, London, 1997, p. 188
- Ian Gibson, The Shameful life of Salvador Dalí, Faber and Faber, London, 1997, il. XXVI
- 100 ans de peinture, Atlas, Paris, 1997, p. 50 (detail)
- Pascal Bonafoux, Christophe Valentin (il.), La Beauté comestible : à propos de Dalí et les aliments, Plume, Paris, 1998, p. 48
- Robert Goff, The Essential Salvador Dalí, Harry N. Abrams, New York, 1998, p. 68
- Agustín Sánchez Vidal, Salvador Dalí, Electa, Madrid, 1999, p. 45
- Salvador Dalí's optical illusions, Wadsworth Atheneum Museum of Art, Hartford, 1999, n. p. (detail)
- Dalí insights, Wadsworth Atheneum Museum of Art, Hartford, 1999, n. p., back cover
- Salvador Dalí, Parkstone, England, 1999, p. 5, p. 101
- Wadsworth Atheneum Museum of Art. What's on calendar, Wadswoth Ahteneum Museum of Art, Hartford, CT, 2000, p. 13, p. 20
- Dalí's Optical Illusions, Smithsonian Institution, Washington DC, 2000, n. p.
- Dalí's optical illusions, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 2000, p. 121
- Grandes maestros de la pintura : Dalí, Altaya, Barcelona, 2001, p. 30, p. 30 (4 details), p. 31
- Juan Antonio Ramírez, Dalí: lo crudo y lo podrido, A. Machado Libros, Madrid, 2002, p. 69
- Antoni Gaudí Salvador Dalí, Loft, Barcelona, 2002, p. 54
- Dalí 1904-2004, Edicions 62, Barcelona, 2003, p. 61
- Javier Pérez Andújar, Salvador Dalí : a la conquista de lo irracional, Algaba, Madrid, 2003, n. p.
- The Portable Dalí, Universe, New York, 2003, p. 177
- Lluís Llongueras, Todo Dalí : vida y obra del personaje más genial y espectacular del siglo XX, Generalitat de Catalunya, [Barcelona], 2003, p. LXIV
- Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 177
- Ricard Mas Peinado, Universdalí, Lunwerg, Barcelona, Madrid, 2003, p. 139
- Cathrin Klingsöhr-Leroy, Surrealismo, Taschen, Köln, [etc.], 2004, p. 40-41
- Persistence and memory : new critical perspectives on Dalí centennial, Bompiani, [Milà], 2004, p. 205 (detail) (indirect image)
- Jean-Louis Gaillemin, Dalí : master of fantasies, Harry N. Abrams, New York, 2004, p. 74
- Alyse Gaultier, The Little book of Dalí, Flammarion, Paris, 2004, p. 102-103 (detail)
- Alyse Gaultier, L'Abcdaire de Dalí, Flammarion, Paris, 2004, p. 56-57 (detail)
- Maria Lluïsa Borràs, Salvador Dalí : vida i obra d'un geni, Columna, Barcelona, 2004, n. p.
- Jean-Louis Gaillemin, Dalí the impresario of surrealism, Thames & Hudson, London, 2004, p. 74
- Silvia Borghesi, Dalí, Electa, Milán, 2004, p. 70
- Jean-Louis Gaillemin, Dali : le grand paranoïaque, Découvertes Gallimard Arts, París, 2004, p.74
- Dalí, Bompiani, [Milà], 2004, p. 263
- Obra completa : Álbum, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, Barcelona, [Figueres], [Madrid], 2004, p. 111
- Dalí, un creador dissident, Destino, Barcelona, 2004, p. 107
- Dalí : afinitats electives, Generalitat de Catalunya. Departament de Cultura, Barcelona, 2004, p. 84-85
- Màrius Carol, Josep Playà i Maset, El Enigma Dalí, Plaza Janés, Barcelona, 2004, n. p.
- Lucía García de Carpi, Salvador Dalí, Ambos Mundos, Salamanca, 2005, p. 96, p. 131 (detail)
- Surrealism USA, National Academy Museum, New York, Ostfildern-Ruit, Germany, 2005, p. 21
- Naturaleza & arte. Gaudí, Miró, Dalí, Sociedad Estatal para Exposiciones Internacionales, [Madrid], 2005, p. 89
- Dalí, Unidad Editorial, [S. l.], 2005, p. 143, p. 180
- Vicent Santamaria de Mingo, El Pensament de Salvador Dalí en el llindar dels anys trenta, Publicacions de la Universitat Jaume I, Castelló de la Plana, 2005, p. 240 (detail)
- "The Grand Master of Surrealism Salvador Dali", Usa today magazine, 31/05/2005, McLean, VA, p. 38
- Salvador Dalí. La Gare de Perpignan: Pop , Op, Yes-Yes, Pompier, Museum Ludwig, Köln, 2006, p. 22
- Torsten Otte, Salvador Dalí : Eine Biographie mit Selbstzeugnissen des Künstlers, Königshausen & Neumann, Würzburg, 2006, p. 68
- Robin Adèle Greeley, Surrealism and the Spanish civil war, Yale University Press, New Haven & London, 2006, p. 52
- Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, Ostfildern, 2006, p. 155
- William H. Robinson, Jordi Falgàs, Carmen Belén Lord, Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí, Cleveland Museum of Art, Yale University Press, Cleveland, New Haven & London, 2006, p. 426
- Picasso: tradición y vanguardia, Museo Nacional del Prado, Museo Nacional Centro de Arte Reina Sofía, Madrid, Madrid, 2006, p. 202
- Guillermo Carnero, Salvador Dalí y otros estudios sobre arte y vanguardia, Institució Alfons el Magnànim - Diputació de València, [València], 2007, il. XII
- Agustín Sánchez Vidal, Salvador Dalí, Fundación Mapfre. Instituto de Cultura, Madrid, 2007, p. 70
- Salvador Dalí: an illustrated life, Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura, London, [Figueres], [Madrid], 2007, p. 111
- Salvador Dalí à la croisée des savoirs, Desjonquères, Paris, 2007, p. 120
- Johanna Malt, Obscure objects of desire : surrealism, fetishism, and politics, Oxford University Press, New York, 2008, p. 199
- Alessandro Del Puppo, Dalí et le surréalisme, E-ducation.it S.p.A, Florence, 2008, p. 154, p. 157-158-159 (detail)
- The 1930s: the making of "the new man", National Gallery of Canada, Ottawa, 2008, p. 315
- Mary Ann Caws, Salvador Dalí, Reaktion Books, London, 2008, p. 90
- Restaurando arte contemporáneo : Georgina Berini : textos y testimonio, Libros Pórtico, Zaragoza, 2009, p. 65 (detail)
- Montse Aguer i Teixidor, Los tesoros de Salvador Dalí, Librería Universitaria, Barcelona, 2009, p. 32-33
- Catherine Grenier, Salvador Dalí : l'invention de soi, Flammarion, París, 2011, p. 132
- Surrealism in Paris, Hatje Kantz, Basilea, 2011, p. 246-247
- Ralf Schiebler, Dalí : the reality of dreams, Prestel, Munich, London, New York, 2011, p. 61
- Thierry Dufrêne, Salvador Dalí : double image, double vie, Hazan, Malakoff, 2012, il. 11
- Dalí, Centre Pompidou, Paris, 2012, p. 227
- David Lomas, Simulating the marvellous : psychology - surrealism - postmodernism, Manchester University Press, Manchester, New York, 2013, p. 314 (indirect image) (detail), p. 318
- "SALVADOR DALÍ", ARTE Y PARTE, 01/04/2013, s. l., p. 21
- Catherine Ingram, Andrew Rae (il.), This is Dalí, Laurence King Publishing, London, 2014, p. 49
- William Jeffett, Juan José Lahuerta, Picasso-Dalí, Dalí-Picasso, Museu Picasso, Salvador Dalí Museum, Barcelona, Sant Petersburg, 2014, p. 86
- Gabriel Montua, Dalís 20. Jahrhundert : die westliche Kunst zwischen Politik, Markt und Medien, De Gruyter, Boston, Berlin, 2015, il. XVII
- Daniel R. Caruncho, Salvador Dalí, las obras de su vida, Dos de Arte, Barcelona, 2015, p. 44-45
- Hans L. Jaffe, El Arte del siglo XX, Edaf, Madrid, [s.d.], p. 210
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The copyright on Salvador Dalí's works, included those that are reproduced in this Web page, is held by the Spanish State and has been granted in exclusivity to the Fundació Gala-Salvador Dalí.
Pursuant to intellectual property laws in force, the total or partial reproduction, distribution, transformation, public communication, interactively making available to the public, as well as any other exploitation, by any means, of the works included in this Web page is prohibited.
Any exploitation of Salvador Dalí's works is subject to the prior application and clearance of the relevant licence issued by VEGAP (tel. 91 532 66 32 and 93 201 03 31 ; www.vegap.es). Copyright infringement will be prosecuted according to Laws.