Description

Date:

1940

Technique:

Oil on canvas

Dimensions:

40.5 x 50.8 cm

Signature:

Signed and dated lower center: Gala Salvador Dalí 1940

Location:

The Dali Museum, St. Petersburg (Florida)

Provenance

1. Julien Levy Gallery, New York
2. Bignou Gallery, New York
3. E. and A. Reynolds Morse, Cleveland (Ohio)

Exhibitions

1. 1941, Chicago, The Arts Club of Chicago, Salvador Dali, 23/05/1941 - 14/06/1941, cat. no. 1
2. 1941, New York, Julien Levy Gallery, Salvador Dalí, 22/04/1941 - 20/05/1941, cat. no. 1
3. 1941, Los Angeles, Dalzell Hatfield Galleries, Salvador Dalí, 10/09/1941 - 05/10/1941, cat. no. 1
4. 1943, New York, Art of this Century, Art of this Century : 15 early paintings. 15 late paintings, 13/03/1943 - 10/04/1943, cat. no. 206
5. 1947, Cleveland, Ohio, The Cleveland Museum of Art, Salvador Dalí, an exhibition, 08/10/1947 - 09/11/1947, cat. no. 15
6. 1954, Roma, Sale dell'Aurora Pallavicini, Mostra di quadri disegni ed oreficerie di Salvador Dalí, 13/03/1954 - 30/06/1954, cat. no. 11
7. 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18/12/1965 - 13/03/1966, cat. no. 100
8. 2000, St. Petersburg, Florida, Salvador Dalí Museum, James Rosenquist: paintings, 29/04/2000 - 10/09/2000, cat. no. 29
9. 2004, Venezia, Palazzo Grassi, Dalí, 12/09/2004 - 16/01/2005, cat. no. 195
10. 2006, Tokio, Ueno Royal Museum, Salvador Dali centennial retrospective, 23/09/2006 - 04/01/2007, cat. no. 33
11. 2007, St. Petersburg, Fl., Salvador Dalí Museum, Dalí and the Spanish Baroque, 02/02/2007 - 24/06/2007, cat. no. 14

Bibliography

1. Salvador Dalí, Julien Levy Gallery, New York, 1941, n. p.
2. [HOLD YOUR HATS, FOLKS!...], Herald And Experss, 23/08/1941, Los Angeles, Cal, n. p. (detail)
3. Arthur Millier, "Dali Coming to Rattle His Art Skulls", Los Angeles Times, 07/09/1941, Los Angeles, n. p. (detail)
4. Salvador Dalí, The Secret Life of Salvador Dalí, Dial Press, New York, 1942, p. XIV (detail)
5. Reynolds A. Morse, "The Dream World of Salvador Dali", Art In America, 31/07/1945, New York, N.y., il. 5
6. Cornelia Curtiss, "Art Collectors Turn Home Into Real «Dali-High»", Cleveland News, 20/02/1952, Cleveland, Ohio, n. p. (indirect image)
7. Mostra di quadri disegni ed oreficerie di Salvador Dalí, Sale dell'Aurora Pallavicini, Roma, 1954, il. 8
8. Salvador Dalí, The IMS Press, Cleveland [Ohio], 1954, p. 13
9. Dalí, Les Éditions du Chêne, Paris, 1957, p. 7
10. A. Reynolds Morse, Michel Tapié, Dalí: a study of his life and work, New York graphic Society, Greenwich [Connecticut], 1958, p. 51
11. Fleur Cowles, El Caso Salvador Dalí, Noguer, Barcelona - México, 1959, p. XXXII
12. Fleur Cowles, The Case of Salvador Dalí, Little, Brown, Boston, Toronto, 1959, between pp. 240-241
13. Lola Aguado, "Los tres maestros españoles de la pintura mundial de hoy. ¿Quién es Dalí?", Gaceta Ilustrada, 03/02/1962, Madrid, s,. p. (detail)
14. Johan Fabricius, "Salvador DALI", De Telegraf, 01/06/1963, s. l., n. p. (detail)
15. Salvador Dalí, 1910-1965, The Foundation for Modern Art, New York, 1965, p. 78
16. "What's new, pussycat?", Star Journal, 14/12/1965, Long Island City, N.y., n. p. (indirect image)
17. "Captive Audience", Advance, 16/12/1965, Staten Island, N.y., n. p. (indirect image)
18. Max Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il. 154
19. A. Reynolds Morse, A Dalí primer, The Reynolds Morse Foundation, Cleveland [Ohio], 1970, p. 43
20. Betty Dietz Krebs, "Kiss of Death for First Dali Museum?", News, 09/08/1970, Dayton, Ohio, n. p. (indirect image)
21. Salvador Dalí, André Parinaud, Comment on devient Dalí, Robert Laffont, Paris, 1973, n. p.
22. Ninety-three oils by Salvador Dalí : 1917-1970, The Salvador Dali Museum, Cleveland, 1973, p. 169 (detail)
23. A. Reynolds Morse, Eleanor R. Morse, The Dalí adventure : 1943-1973, The Salvador Dali Museum, Cleveland, [1973], il. 7
24. Salvador Dalí ... a panorama of his art, The Salvador Dali Museum, Cleveland, 1974, p. 87, p. 169 (detail)
25. Salvador Dalí, André Parinaud, Confesiones inconfesables, Bruguera, Barcelona [etc.], 1975, n. p.
26. Luis Romero, Todo Dalí en un rostro, Blume, Barcelona, Madrid, 1975, p. 84
27. Salvador Dalí, "Eroticism in clothing", [the Salvador Dali Museum], 31/12/1975, Cleveland, Ohio, n. p. (detail)
28. Salvador Dalí, René Passeron, Salvador Dalí, Filipacchi, Paris, 1978, p. 72
29. Salvador Dalí, selected works, Filipacchi, New York, 1979, p. 72
30. Hommage à Dalí, Vilo, Paris, 1980, p. 35
31. Josep Pla, Salvador Dalí (il.), Obres de museu, DASA, Figueres, 1981, p. 128
32. Ignacio Gómez de Liaño, Dalí, Polígrafa, Barcelona, 1983, il. 87
33. Conroy Maddox, Dalí, Newness Books, Feltham [Middlesex], 1983, p. 70-71
34. Conroy Maddox, Dalí, Benedick Taschen, Köln, 1983, p. 70-71
35. Rafael Santos Torroella, La Miel es más dulce que la sangre : las épocas lorquiana y freudiana de Salvador Dalí, Seix Barral, Barcelona, 1984, p. 191
36. Sarane Alexandrian, Dalí, Fernand Hazan, Paris, 1985, il. 48
37. Takahiko Okada, Dalí, Shueisha, [S.l.], 1986, p. 72
38. Salvador Dalí, Meisterwerke der dreissiger Jahre, Schirmer-Mosel, München, 1989, il. 33
39. René Passeron, Salvador Dalí, Ars Mundi, [S.l.], 1990, p. 75
40. Dalí: the Salvador Dalí museum collection, Bulfinch, Boston. Toronto. London, 1991, il. 70
41. Luis Romero, PsicoDálico Dalí, Mediterranea, Barcelona, 1991, p. 127 (indirect image), p. 128
42. A. Reynolds Morse, Dali's animal crackers, Salvador Dalí Museum, St. Petersburg, Florida, 1993, p. 139, p.13 (2 details), p.139 (detail), p. 180 (indirect image)
43. Marco Di Capua, Dalí, Librairie Gründ, Paris, 1994, p. 208
44. Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 332
45. David Carter, Salvador Dalí, Chelsea House, New York - Philadelphia, 1995, p. 94
46. Kenneth Wach, Salvador Dalí : masterpieces from the collection of the Salvador Dalí Museum, Harry N. Abrams, Salvador Dalí Museum, New York, St. Petersburg, Florida, 1996, p. 91
47. Gilles Néret, Salvador Dalí : 1904-1989, Evergreen (Benedikt Taschen), [Köln], 1996, p. 51
48. Haim Finkelstein, Salvador Dalí's art and writing, 1927-1942 : the metamorphoses of Narcissus, Cambridge University Press, Cambridge, 1996, p. 160
49. Robert Radford, Dalí, Phaidon, London, 1997, p. 216-217
50. Ian Gibson, The Shameful life of Salvador Dalí, Faber and Faber, London, 1997, il. 85
51. Robert Goff, The Essential Salvador Dalí, Harry N. Abrams, New York, 1998, p. 83 (detail)
52. Dali exhibition 1999, NTV Europe B.V., [S.l.], 1999, p. 215
53. James Rosenquist: paintings | James Rosenquist: selects Dalí, Salvador Dalí Museum, St. Petersburg, Florida, 2000, p. 52
54. Robert S. Lubar, The Salvador Dalí Museum collection, Bulfinch, Boston - New York - London, 2000, p. 120
55. Juan Antonio Ramírez, Dalí: lo crudo y lo podrido, A. Machado Libros, Madrid, 2002, p. 84
56. Salvador Dalí, Obra completa : Textos autobiográficos 2, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, Barcelona, [Figueres], [Madrid], 2003, n. p. (detail)
57. Javier Pérez Andújar, Salvador Dalí : a la conquista de lo irracional, Algaba, Madrid, 2003, n. p.
58. The Portable Dalí, Universe, New York, 2003, p. 223
59. Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 223
60. Ricard Mas Peinado, Universdalí, Lunwerg, Barcelona, Madrid, 2003, p. 142
61. Salvador Dalí, Obra completa : Textos autobiográficos 1, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, Barcelona, [Figueres], [Madrid], 2003, n. p. (detail)
62. Dalí, Bompiani, [Milà], 2004, p. 323
63. Obra completa : Álbum, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, Barcelona, [Figueres], [Madrid], 2004, p. 140
64. Dalí, un creador dissident, Destino, Barcelona, 2004, p. 188
65. Jean-Louis Gaillemin, Dalí : master of fantasies, Harry N. Abrams, New York, 2004, p. 113
66. Jean-Louis Gaillemin, Dalí the impresario of surrealism, Thames & Hudson, London, 2004, p. 113
67. Jean-Louis Gaillemin, Dali : le grand paranoïaque, Découvertes Gallimard Arts, París, 2004, p. 113
68. Salvador Dalí, Obra completa : Artículos, 1919-1986, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, Barcelona, [Figueres], [Madrid], 2005, p. 858 (detail)
69. Dalí and the Spanish Baroque, The Salvador Dalí Museum, St. Petersburg, 2006, p. 23
70. Salvador Dali centennial retrospective, Ueno Royal Museum, Ueno, 2006, p. 101, p. 100 (detail)
71. Salvador Dalí: an illustrated life, Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura, London, [Figueres], [Madrid], 2007, p. 140
72. Salvador Dalí : liquid desire, National Gallery of Victoria, Fundació Gala- Salvador Dalí, The Salvador Dalí Museum, Melbourne, Figueres, St. Petersburg (Florida), 2009, endpapers (detail), p. 164, p. 172
73. Salvador Dalí : the late work, High Museum of Art, Yale University Press, Atlanta, New Haven and London, 2010, p. 163
74. Catherine Grenier, Salvador Dalí : l'invention de soi, Flammarion, París, 2011, p. 168
75. Linda Lissack, Selwyn Lissack, Dalí in holographic space, Story and Digital Art, [S.l.], 2012, p. 57
76. Dalí, Centre Pompidou, Paris, 2012, p. 28
77. -, -, -, Marc Aufraise, Marc Aufraise, Caroline Barbier de reulle, Marijke Peyser-Verhaar, Astrid Ruffa, Ha, Les Cahiers du Musée national d'art moderne [Coberta] | [Sumari] | Éditorial | Les prémices du théâtre photographique de Salvador Dalí (1932-1933) | Portraits de fantasmes | Salvador Dalí et la musiqu, Éditions du Centre Pompidou, Paris, 2012, p. 43
78. Gabriel Montua, Dalís 20. Jahrhundert : die westliche Kunst zwischen Politik, Markt und Medien, De Gruyter, Boston, Berlin, 2015, il. XXIV

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