Description

Date:

1940

Technique:

Huile sur toile

Dimensions:

35.6 x 31 cm

Signature:

Signé et daté en bas à droite: Gala Salvador Dali 1940

Localisation:

Collection privée

Provenance

1. Alfonso González Pardo, Lima, Pérou

Expositions

1. 1941, Chicago, The Arts Club of Chicago, Salvador Dali, 23/05/1941 - 14/06/1941, num. cat. 10
2. 1941, New York, Julien Levy Gallery, Salvador Dalí, 22/04/1941 - 20/05/1941, num. cat. 10
3. 1941, Los Angeles, Dalzell Hatfield Galleries, Salvador Dalí, 10/09/1941 - 05/10/1941, num. cat. 8
4. 1942, Indianapolis, The John Herron Art Institute (Indianapolis Museum of Art), [Exhibition of paintings by Salvador Dali], 05/04/1942 - 04/05/1942, num. cat. 50
5. 1943, Detroit, Detroit Institute of Arts, Exhibition of paintings by Salvador Dali, 15/03/1943 - 12/04/1943, sans numéro
6. 1964, Tokyo, Tokyo Prince Hotel Gallery, Salvador Dalí : exhibition - Japan 1964, 08/09/1964 - 18/10/1964, num. cat. 28
7. 1970, Paris, Galerie André François Petit, Salvador Dalí : oeuvres anciennes, 01/11/1970 - 31/12/1970, num. cat. 37

Bibliographie

1. James Thrall Soby, Salvador Dalí, The Museum of Modern Art, New York, 1941, p. 76
2. Salvador Dalí, Julien Levy Gallery, New York, 1941, s. p.
3. "Mystified", News, 04/03/1941, Tarrytown, N. Y., s. p. (image indirecte)
4. Desconegut, [Recent paintings by Salvador Dalí ...], New York Times, 17/04/1941, New York, s. p.
5. Edward Alden Jewell, "Groups and Individuals", New York Times, 27/04/1941, New York, s. p.
6. "Dali: Latest Edition", New York Times, 27/04/1941, New York, s. p. (détail)
7. Felipe Jacinto, Salvador] [dalí, "The last scandal of Salvador Dalí", [julien Levy Gallery], 31/12/1941, New York, N.y., s. p.
8. Salvador Dalí, The Secret Life of Salvador Dalí, Dial Press, New York, 1942, p. I (détail)
9. Stephen S. Kaiser, "Salvador Dali's search for heaven", The Pacific Art Review, 21/12/1942, San Francisco, p. 52
10. Catherine Ann Tukey, "Salvadore Dali: 'against mechanism for the dream'", World Morn., 02/05/1943, Omaha, Neb., s. p.
11. Edward Alden Jewell, "«Reality». Modernism in Art and Literature", New York Times, 29/08/1943, New York, s. p. (détail)
12. "Is this shopping inflation?", New York Post, 29/05/1946, New York, s. p.(détail)
13. J.a. Gaya Nuño, "Esquema de Salvador Dalí", Cobalto, 15/07/1948, Barcelona, p. 40
14. "Admits his previous work omitted spiritual beliefs", Globe Eve., 25/11/1949, Boston, Mass., s. p. (image indirecte) (détail)
15. Juan Antonio Gaya Nuño, Salvador Dalí, Omega, Barcelona, 1950, il. 36
16. Carlos Cid Priego, Superrealismo de ayer y hoy, Deyh Ediciones, Barcelona, 1951, p. [120]
17. Dalí, Les Éditions du Chêne, Paris, 1957, p. 7 (détail)
18. A. Reynolds Morse, Michel Tapié, Dalí: a study of his life and work, New York graphic Society, Greenwich [Connecticut], 1958, p. 51
19. Salvador Dalí : exhibition - Japan 1964, Mainichi Newspaper, Tokyo, 1964, p. 72
20. Salvador Dalí : oeuvres anciennes, Galerie André François Petit, Paris, [1970], il. 37
21. Salvador Dalí, Meisterwerke der dreissiger Jahre, Schirmer-Mosel, München, 1989, il. 35
22. A. Reynolds Morse, Dali's animal crackers, Salvador Dalí Museum, St. Petersburg, Florida, 1993, p. 49 (détail)
23. Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 332
24. Haim Finkelstein, Salvador Dalí's art and writing, 1927-1942 : the metamorphoses of Narcissus, Cambridge University Press, Cambridge, 1996, p. 252
25. Jorge Oteiza, Goya mañana, el realismo inmóvil : El Greco, Goya, Picasso, Fundación-Museo Jorge Oteiza Fundazio-Museoa, Alzuza - Nafarroa, 1997, p. 63
26. Salvador Dalí, Obra completa : Textos autobiográficos 1, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, Barcelona, [Figueres], [Madrid], 2003, s. p. (image indirecte) (image inversée)
27. Carmen García de la Rasilla, Salvador Dalí's literary self-portrait : approaches to a surrealist autobiography, Bucknell University Press, Lewisburg, 2009, p. 148 (image indirecte)
28. Dalí: Il sogno del Classico, Skira, Milano, 2016, p. 31

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