Description

Date:

1928

Technique:

Huile et collage sur bois

Dimensions:

63.5 x 75 cm

Signature:

Signé et daté au centre à droite: Salvador Dali 1928

Localisation:

The Dali Museum, St. Petersburg (Floride)

Provenance

1. Bignou Gallery, New York
2. Charles E. Roseman, Jr, Cleveland (Ohio)
3. Mrs. Peter J. Lloyd, Cleveland (Ohio)
4. E. et A. Reynolds Morse, Cleveland (Ohio)

Expositions

1. 1929, Zürick, Kunsthaus, Abstrakte und surrealistische Malerei und Plastik, 06/10/1929 - 03/11/1929, num. cat. 20
2. 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18/12/1965 - 13/03/1966, num. cat. 241
3. 1994, Madrid, Museo Nacional Centro de Arte Reina Sofía, Dalí joven, 1918-1930, 18/10/1994 - 16/01/1995, num. cat. 136
4. 1994, London, Hayward Gallery, Salvador Dalí: the early years, 03/03/1994 - 30/05/1994, num. cat. 105
5. 1999, Tokyo, Mitsukoshi Museum of Art, Dali exhibition 1999, 12/06/1999 - 20/08/1999, num. cat. 13
6. 2000, Hartford, Connecticut, Wadsworth Atheneum Museum of Art, Dalí's optical illusions, 21/01/2000 - 26/03/2000, num. cat. 3
7. 2001, London, Tate Modern, Surrealism desire unbound, 20/09/2001 - 01/01/2002, il. 253

Bibliographie

1. Georges Bataille, desnos Robert, einstein Karl..., "Chronique", Documents 4, 30/09/1929, Paris, s. p.
2. A. Reynolds] [Morse, A new introduction to Salvador Dalí, The Reynolds-Morse Foundation, Cleveland [Ohio], 1959, p. 73
3. Salvador Dalí, 1910-1965, The Foundation for Modern Art, New York, 1965, p. 33
4. Max Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il. 188 (détail)
5. Salvador Dalí, [On our cover: The Ecumencial Council-- (1960) (coberta)], Fine Arts, 01/12/1972, Cleveland, Ohio, p. 4
6. Jean-Claude Guilbert, Le Réalisme fantastique : 40 peintres européens de l'imaginaire, Opta, Paris, 1973, p. 83
7. Ninety-three oils by Salvador Dalí : 1917-1970, The Salvador Dali Museum, Cleveland, 1973, p. 144 (détail)
8. A. Reynolds Morse, Salvador Dalí, Pablo Picasso, Pablo Picasso, Salvador Dalí : a preliminary study in their similarities and contrast, The Salvador Dali Museum, Cleveland [Ohio], 1973, p. 4
9. Jacques Dopagne, Dalí, Fernand Hazan, Paris, 1974, il. 7
10. Salvador Dalí ... a panorama of his art, The Salvador Dali Museum, Cleveland, 1974, p. 41, p. 144 (détail)
11. Salvador Dalí, René Passeron, Salvador Dalí, Filipacchi, Paris, 1978, p. 16
12. Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 57
13. Hommage à Dalí, Vilo, Paris, 1980, p. 37
14. Dawn Ades, Dalí and surrealism, Harper & Row, New York, 1982, p. 57
15. Sarane Alexandrian, Dalí, Fernand Hazan, Paris, 1985, il. 8
16. Paul Moorhouse, Dalí, Magna Books, Wigston [Anglaterra], 1990, p. 34-35
17. Dalí: the Salvador Dalí museum collection, Bulfinch, Boston. Toronto. London, 1991, il. 29
18. Eric Shanes, Dalí, Debate, Madrid, 1991, p. 47
19. Salvador Dalí: the early years, South Bank Centre, [London], 1994, p. 177
20. Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 126
21. Kenneth Wach, Salvador Dalí : masterpieces from the collection of the Salvador Dalí Museum, Harry N. Abrams, Salvador Dalí Museum, New York, St. Petersburg, Florida, 1996, p. 51
22. Haim Finkelstein, Salvador Dalí's art and writing, 1927-1942 : the metamorphoses of Narcissus, Cambridge University Press, Cambridge, 1996, p. 45
23. Robert Radford, Dalí, Phaidon, London, 1997, p. 78-79
24. Fèlix Fanés, Salvador Dalí, la construcción de la imagen : 1925-1930, Electa, [Madrid], 1999, p. 117
25. Dali exhibition 1999, NTV Europe B.V., [S.l.], 1999, p. 65
26. Dalí's optical illusions, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 2000, p. 71
27. Robert S. Lubar, The Salvador Dalí Museum collection, Bulfinch, Boston - New York - London, 2000, p. 45
28. Surrealism desire unbound, Tate Publishing, London, 2001, p. 258
29. Jean-Louis Gaillemin, Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935, La Passage, Paris-New York, 2002, il. 17
30. Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 65
31. The Portable Dalí, Universe, New York, 2003, p. 65
32. Jean-Louis Gaillemin, Dalí : master of fantasies, Harry N. Abrams, New York, 2004, p. 38, p. 39 (détails)
33. Jean-Louis Gaillemin, Dalí the impresario of surrealism, Thames & Hudson, London, 2004, p. 38, p. 39 (détail)
34. Persistence and memory : new critical perspectives on Dalí centennial, Bompiani, [Milà], 2004, p. 27 (détail)
35. Huellas dalinianas, Sociedad Estatal de Conmemoraciones Culturales, Madrid, 2004, p. 45
36. Dalí : afinitats electives, Generalitat de Catalunya. Departament de Cultura, Barcelona, 2004, p. 207
37. Dalí. Cultura de masses, Fundació La Caixa, Fundació Gala-Salvador Dalí, Barcelona, Figueres, 2004, p. 225
38. Jean-Louis Gaillemin, Dali : le grand paranoïaque, Découvertes Gallimard Arts, París, 2004, p. 38
39. It's all Dalí, Museum Boijmans Van Beuningen, Rotterdam, 2005, p. 398
40. Dawn Ades, Simon Baker, Undercover surrealism : Georges Bataille et Documents, Hayward Gallery. South Bank Centre, The MIT Press, London, Cambridge, Massachussetts, 2006, p. [20], p. 95 (indirecte), p. 97
41. Robin Adèle Greeley, Surrealism and the Spanish civil war, Yale University Press, New Haven & London, 2006, p. 71
42. Gavin Parkinson, Surrealism, art and modern science : relativity, quantum mechanics, epistemology, Yale University, New Haven & London, 2008, p. 181
43. Dalí, Lorca y la Residencia de Estudiantes, Sociedad Estatal de Conmemoraciones Culturales, [Madrid], 2010, p. 278 (détail)
44. Catherine Grenier, Salvador Dalí : l'invention de soi, Flammarion, París, 2011, p. 70
45. Roger Rothman, Tiny surrealism : Salvador Dalí and the aesthetics of the small, University of Nebraska, Lincoln & London, 2012, p. 58
46. William Jeffett, Juan José Lahuerta, Picasso-Dalí, Dalí-Picasso, Museu Picasso, Salvador Dalí Museum, Barcelona, Sant Petersburg, 2014, p. 167

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