Catalogue Raisonné of Paintings by Salvador Dalí

Year navigation

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
Previous
Next
Go to the artwork index

Equestrian Portrait of Carmen Martínez-Bordiú

Equestrian Portrait of Carmen Martínez-Bordiú
© Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2017

Cat. no. P 868

Equestrian Portrait of Carmen Martínez-Bordiú

Description

Date:
1972
Technique:
Oil on canvas
Dimensions:
160 x 190.5 cm
Signature:
Signed and dated lower center left: GDALI / 197[2]
Location:
Private collection

Provenance

  1. Gift from Alfonso de Borbón y Dampierre to his wife Carmen Martínez- Bordiú y Franco

Observations

Although this work is signed and dated 1972, Dalí gave it the finishing touches in the course of the talk he gave at the Prado Museum in Madrid entitled "Velázquez and Me", on May 29, 1973, in the presence of the model, Carmen Martínez-Bordiú.

Bibliography

  1. "La última obra de Dalí", El Adelanto, 09/11/1972, Salamanca, n. p. (indirect image)
  2. "Cuadro de Dalí para doña María del Carmen Martínez Bordíu", Diario de Las Palmas, 09/11/1972, Las Palmas de Gran Canaria, n. p. (indirect image)
  3. "Un cuadro para Mary Carmen y Alfonso", Diario Español, 09/11/1972, Tarragona, n. p. (indirect image)
  4. "Retrato de Carmen, por Dalí", Amanecer, 09/11/1972, Zaragoza, n. p. (indirect image)
  5. "Dalí, en el Pardo", El Correo de Zamora, 09/11/1972, Zamora, n. p. (indirect image)
  6. "Salvador Dalí entrega el cuadro de la nieta del Jefe del Estado", Jaen, 09/11/1972, Jaen, n. p. (indirect image)
  7. "El arte de Dalí, en el Pardo", Odiel, 09/11/1972, Huelva, s .p. (indirect image)
  8. "Una grata fiesta familiar en el Palacio de el Pardo", Los Sitios, 09/11/1972, Girona, n. p. (indirect image)
  9. "Get the picture? Artist Salvador Dalí, in Madrid, presents Gen. Francisco Franco, Spanish chief of state", Los Angeles Times, 09/11/1972, s. l., n. p. (indirect image) (detail)
  10. "Imposicion a Salvador Dalí de la Medalla de Oro al merito en las Bellas Artes", Ampurdan, 15/11/1972, Figueres, n. p. (indirect image)
  11. Jesus Ramos, "Dalí explica el cuadro de Carmen", La Actualidad Española, 23/11/1972, Madrid, cover (detail), p. 7 (indirect image) (detail), p. 61-72 (indirect image) (detail)
  12. Jose Luis Quintanilla, "En su insólita actuación del Museo del Prado, Dalí no convenció", La Actualidad Española, 07/06/1973, Madrid, cover, n. p. (indirect images)
  13. Ignacio Carrión, "Dalí en el Museo del Prado. Velázquez y yo", Blanco y Negro, 09/06/1973, Madrid, p. 79 (indirect image)
  14. "Dalí dio los últimos retoques al retrato de la duquesa de Cádiz", Semana, 09/06/1973, Madrid, n. p. (indirect image) (detail)
  15. "Retoque final al retrato de S.A.R.", Diez Minutos, 09/06/1973, Madrid, n. p. (indirect image) (detail)
  16. Antonio D. Olano, Dalí, secreto, Dopesa, Barcelona, 1975, n. p.
  17. "El «boom» del arte: proliferan las galerías y salas de subasta", Abc, 03/10/1976, Madrid, p. 621
  18. Vicente Gracia, "Un proceso degenerativo irreversible", Interviu, 11/09/1980, Barcelona, n. p. (indirect image)
  19. Antonio Couto, "Las navidades del duque de Cadiz con sus hijos", ¡Hola!, 10/01/1981, Barcelona, Es, cover (indirect image) (detail), n. p. (indirect image) (detail)
  20. Dalí, Sarpe, Madrid, 1984, p. 13
  21. A. Reynolds Morse, Dali's animal crackers, Salvador Dalí Museum, St. Petersburg, Florida, 1993, p. 141
  22. Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 637, p. 736 (indirect image)
  23. Dalí photographs by Robert Whitaker, Robert Whitaker Cockhaise Mill Farm, Lindfield, West Sussex, 1994, p. [25-26] (indirect images) (details)
  24. Gilles Néret, Salvador Dalí : 1904-1989, Evergreen (Benedikt Taschen), [Köln], 1996, p. 93 (indirect image)
  25. Enrique Sabater, Las Arquitecturas de Dalí, Umberto Allemandi, Turin - London, 1998, il. 129, il. 130 (detail), il. 131 (indirect image)
  26. Xavier Barral i Altet, Les Indigestions de Dalí, Edicions de 1984, Barcelona, 2003, p. 127 (indirect image)
  27. Lluís Llongueras, Todo Dalí : vida y obra del personaje más genial y espectacular del siglo XX, Generalitat de Catalunya, [Barcelona], 2003, p. XL
  28. Linde Salber, Salvador Dalí, Rowohlt, Reinbek bei Hamburg, 2004, p. 131 (indirect image)
  29. Enrique Sabater, L'Ull invisible, Lunwerg, Institut de Cultura de l'Ajuntament de Barcelona, Barcelona, 2004, p. 58-64 (indirect images) (details), p. 65
  30. Silvia Borghesi, Dalí, Electa, Milán, 2004, p. 115
  31. In the company of Dali : the photographs of Robert Whitaker, Touchstone Books, Sutton Valence, 2006, p. 108-117 (indirect image) (detail)
  32. The Dalí renaissance : new perspectives on his life and art after 1940, Philadelphia Museum of Art, Philadelphia, 2008, p. 144, p. 145 (indirect image)
  33. Dalí, Centre Pompidou, Paris, 2012, p. 221 (indirect image)
  34. Gabriel Montua, Dalís 20. Jahrhundert : die westliche Kunst zwischen Politik, Markt und Medien, De Gruyter, Boston, Berlin, 2015, p. 380, p. 381 (indirect image) (detail)
  35. Daniel R. Caruncho, Salvador Dalí, las obras de su vida, Dos de Arte, Barcelona, 2015, p. 44 (indirect image)

Reproduction Rights

The copyright on Salvador Dalí's works, included those that are reproduced in this Web page, is held by the Spanish State and has been granted in exclusivity to the Fundació Gala-Salvador Dalí.

Pursuant to intellectual property laws in force, the total or partial reproduction, distribution, transformation, public communication, interactively making available to the public, as well as any other exploitation, by any means, of the works included in this Web page is prohibited.

Any exploitation of Salvador Dalí's works is subject to the prior application and clearance of the relevant licence issued by VEGAP (tel. 91 532 66 32 and 93 201 03 31 ; www.vegap.es). Copyright infringement will be prosecuted according to Laws.

Contact

Pujada del Castell, 28
E-17600 Figueres. Catalonia
T. +34 972 677 505
F. +34 972 501 666

Last update: 03/10/2019

© Fundació Gala - Salvador Dalí. All rights reserved