Catalogue Raisonné of Paintings by Salvador Dalí

Year navigation

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
Next
Go to the artwork index

La persistance de la mémoire (The Persistence of Memory)

The Persistence of Memory
© Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2007 © 2006. Digital image, The Museum of Modern Art, New York/Scala, Florence

Cat. no. P 265

La persistance de la mémoire (The Persistence of Memory)

Description

Date:
1931
Technique:
Oil on canvas
Dimensions:
24.1 x 33 cm
Signature:
Signed and dated lower left corner: Olive Salvador Dali 1931
Location:
The Museum of Modern Art, New York (Given anonymously 1934)

Provenance

  1. Galerie Pierre Colle, Paris
  2. Julien Levy Gallery, New York
  3. Purchased from Julien Levy by Helen Resor as a gift, 1934

Observations

According to the "New York Times" dated November 22, 1933, this painting was shown at the exhibition held at the Julien Levy Gallery, New York, from November 21st to December 8th 1933. The exhibition catalogue does not mention the painting, but the "New York Times" article indicates that this work was included as part of the show.

Exhibitions

  1. 1931, Paris, Pierre Colle, Exposition Salvador Dalí, 03/06/1931 - 15/06/1931, cat. no. 23
  2. 1931, Hartford, Connecticut, Wadsworth Atheneum, Newer super-realism, Novembre 1931, cat. no. 7
  3. 1932, [Cambridge], The Harvard Society for Contemporany Art, Surréalisme, 15/02/1932 - 06/03/1932, cat. no. 6
  4. 1932, Norwich, Connecticut, Slater Memorial Museum, Trends in Twentieth Century Paintings, 11/04/1932 - 26/04/1932, cat. no. 11
  5. 1932, New York, Julien Levy Gallery, Surrealism, 09/01/1932 - 29/01/1932, cat. no. 6
  6. 1933, New York, Julien Levy Gallery, Exhibition of Paintings by Salvador Dalí, 21/11/1933 - 08/12/1933, not included in catalogue
  7. 1933, Hartford, The Wadsworth Atheneum and Morgan Memorial, An exhibition of literature & poetry in painting since 1850, 24/01/1933 - 14/02/1933, cat. no. 17
  8. 1934, New York, The Museum of Modern Art, Modern Works of Art : 5th Anniversary Exhibition, 20/11/1934 - 20/01/1935, cat. no. 61
  9. 1934, Chicago, The Art Institute of Chicago, Catalogue of a century of progress exhibition of paintings and sculpture 1934, 01/06/1934 - 01/11/1934, cat. no. 340
  10. 1935, New York, The Museum of Modern Art, Living Realists and Surrealists, 04/11/1935 - 05/01/1936
  11. 1935, New York, The Museum of Modern Art, Summer Exhibition: The Museum Collection and a Private Collection on Loan, 04/06/1935 - 24/09/1935
  12. 1936, New York, The Museum of Modern Art, Fantastic art dada surrealism, 09/12/1936 - 17/01/1937, cat. no. 315
  13. 1939, Buffalo, Albrigh Knox Art Gallery, Room for Contemporary Art, 13/02/1939 - 13/03/1939
  14. 1939, New York, The Museum of Modern Art, Art in Our Time: 10th Anniversary Exhibitions: Painting, Sculpture and Prints, 10/05/1939 - 30/09/1939
  15. 1941, New York, The Museum of Modern Art, Salvador Dalí, 19/11/1941 - 11/01/1942, cat. no. 9
  16. 1942, Indianapolis, The John Herron Art Institute (Indianapolis Museum of Art), [Exhibition of paintings by Salvador Dali], 05/04/1942 - 04/05/1942, cat. no. 9
  17. 1943, Detroit, Detroit Institute of Arts, Exhibition of paintings by Salvador Dali, 15/03/1943 - 12/04/1943, no reference
  18. 1955, Poughkeepsie, Vassar College, Exhibition of Modern Paintings lent by The Museum of Modern Art, 20/05/1955 - 20/06/1955
  19. 1963, Washington, D.C., National Gallery of Art, Paintings from The Museum of Modern Art, New York, 16/12/1963 - 22/03/1964
  20. 1968, New York, The Museum of Modern Art, Dada, surrealism, and their heritage, 27/03/1968 - 09/06/1968, cat. no. 64
  21. 1977, Paris, Musée National d'Art Moderne, Paris/New York, 01/06/1977 - 19/09/1977
  22. 1979, Paris, Centre Georges Pompidou, Musée National d'Art Moderne, Salvador Dalí: rétrospective, 1920-1980, 18/12/1979 - 21/04/1980, cat. no. 105
  23. 1980, London, The Tate Gallery, Salvador Dalí, 14/05/1980 - 29/06/1980, cat. no. 64
  24. 1994, New York, The Metropolitan Museum of Art, Salvador Dali: the Early Years, 28/06/1994 - 18/09/1994
  25. 2000, Nova York, The Museum of Modern Art, Modern art despite Modernism, 16/03/2000 - 26/07/2000, p. 129
  26. 2001, Tokyo, Ueno Royal Museum, Masterworks from The Museum of Modern Art, 1900-1955, 06/10/2001 - 03/02/2002, cat. no. 16
  27. 2002, St. Petersburg, Florida, Salvador Dalí Museum, 20th Anniversary Exhibition, 08/03/2002 - 08/06/2002
  28. 2003, Houston, The Museum of Fine Arts, The Heroic Century: The Museum of Modern Art's Masterpieces, 200 Paintings and Sculptures, 21/09/2003 - 04/01/2004
  29. 2004, Berlin, Neue Nationalgalerie, MoMA in Berlin: Masterworks from The Museum of Modern Art, 18/02/2004 - 19/11/2004
  30. 2004, Venezia, Palazzo Grassi, Dalí, 12/09/2004 - 16/01/2005, cat. no. 89
  31. 2007, London, Tate Modern, Dalí & Film, 01/06/2007 - 09/09/2007, il. 74
  32. 2009, Figueres, Teatre-Museu Dalí, Préstec temporal a la Fundació Gala-Salvador Dalí, 16/01/2009 - 18/03/2009
  33. 2010, Atlanta, High Museum of Art, Salvador Dalí: The late work, 07/07/2010 - 09/02/2011, cat. no. 4
  34. 2012, Paris, Centre Pompidou, Dalí, 21/11/2012 - 25/03/2013, p. 137
  35. 2013, Madrid, Museo Nacional Centro de Arte Reina Sofía, Dalí. Todas las sugestiones poéticas y todas las posibilidades plásticas, 27/04/2013 - 02/09/2013, p. 265

Bibliography

  1. Edward Alden Jewell, "From Fantin-Latour to Surrealism", New York Times, 17/01/1932, New York, n. p. (detail)
  2. "Exhibit of modern art draws many out of town visitors", Desconegut, 23/04/1932, Norwich, Conn., n. p. (detail)
  3. López Torres, "Surrealismo y revolución", Gaceta de Arte, 31/10/1932, Tenerife, p. 34
  4. Exhibition of paintings by Salvador Dali, Julien Levy Gallery, [Nova York], [1933], n. p.
  5. "Tristan Tzara minuit", Spektrum, 1933, Stockholm, p. 36
  6. Modern works of art : fifth anniversary exhibition, The Museum of Modern Art, New York, 1934, il. 61
  7. "Named most Curious Paintin in World's Fair Exhibit", Chicago Daily Tribune, 08/09/1934, Chicago, n. p. (detail)
  8. Whitley Noble, "Superrealism Is Contributor to Art", Chicago Daily Tribune, 21/10/1934, Chicago, n. p.
  9. "Frozen nightmares", Time, 26/11/1934, New York, n. p.
  10. Salvador Dalí, La Conquête de l'irrationnel, Éditions Surréalistes, Paris, 1935, il. 8
  11. James Thrall Soby, After Picasso, Dodd, Mead, New York, 1935, il. 57
  12. "Accessions", The Bulletin of the Museum of Modern Art, 31/01/1935, New York, NY, p. 4
  13. H.G. Thompson, "If you were in New York", Arts and Decoration, 31/03/1935, New York, NY, p. 46
  14. Barr, Alfred H., Jr., Fantastic Art Dada Surrealism, The Museum of Modern Art, New York, 1936, il. 315
  15. Julien Levy, Surrealism, The Black Sun Press, New York, 1936, p. 167
  16. "Surrealism on parade", Life, 14/12/1936, Chicago, Ill., p. 25
  17. Vilhem Bjerke-Petersen, Surrealismens Billedverden, Arthur Jensens Forlag, Copenhague, 1937, p. 39 (detail)
  18. James Thrall Soby, Salvador Dalí, The Museum of Modern Art, New York, 1941, p. 39
  19. "Preoccupation with time", Vogue, 15/04/1941, New York, NY, p. 43
  20. Salvador Dalí, The Secret Life of Salvador Dalí, Dial Press, New York, 1942, dustjacket
  21. E. Mac Causland, "Dali and Miro at The Smith College Museum", Republican, 01/02/1942, Springfield, Mass., n. p. (detail)
  22. W. H. Cunningham, [He may not be the best but he is...], News, 28/02/1942, Cleveland, O., n. p. (detail)
  23. Stephen S. Kaiser, "Salvador Dali's search for heaven", The Pacific Art Review, 21/12/1942, San Francisco, p. 38
  24. Barr, Alfred H., Jr., What is modern painting?, The Museum of Modern Art, New York, 1943, p. 32
  25. María Luisa Caturla, Arte de épocas inciertas, Arbor, Madrid, 1944, between pp. 16-17
  26. Georges Lemaitre, From cubism to surrealism in French literature, Oxford University, Harvard University, London, Cambridge [Mass.], 1945, cover
  27. Winthrop Sargeant, "Dali", Life, 24/09/1945, [chicago], p. 64
  28. Salvador Dalí, [Sirs: never in my...], Life, 15/10/1945, Chicago. Ill., n. p. (detail)
  29. Juan Cortés, "Salvador Dalí", Liceo, 31/12/1945, Barcelona, n. p. (detail)
  30. A. Oriol Anguera, Mentira y verdad de Salvador Dalí, Cobalto, Barcelona, 1948, p. XIX
  31. "This Week's Cover", Los Angeles Times, 01/02/1948, Los Angeles, n. p. (detail)
  32. J.a. Gaya Nuño, "Esquema de Salvador Dalí", Cobalto, 15/07/1948, Barcelona, p. 38
  33. Jay Delss, "How modern art is influencing advertising", Printers' Ink, 25/11/1949, New York, n. p. (detail)
  34. Juan Antonio Gaya Nuño, Salvador Dalí, Omega, Barcelona, 1950, il. 13
  35. Jose Mª Massip, "Dali hoy", Destino, 01/04/1950, Barcelona, p. 4
  36. Manuel del Arco, Salvador Dalí, Dalí al desnudo, José Janés, Barcelona, 1952, p. 49 (detail)
  37. "Canvas Gets The Brush-off", Pageant, 31/01/1952, Chicago, Ill., p. 152
  38. Louis Blackburn, "The Mustache...... (It's a Dilly)", The Houston Press, 12/02/1952, Houston, Tex., n. p.
  39. J. J. Tharrats, "Un museo de arte moderno de Nueva York", Revista, 04/09/1952, Barcelona, n. p.
  40. Gullermo De Torre, "El «caso» Dali", La Nacion, 25/01/1953, Buenos Aires, n. p.
  41. "What do you know about art?", Vogue, 01/05/1953, New York, NY, p. 124 (detail)
  42. Angel Benito, "Salvador Dali, Almirante en Port Lligat", La Actualidad Española, 29/09/1955, Madrid, p. 23
  43. Catalog of works by Salvador Dalí in public museum collections, The Reynolds-Morse Foundation, Cleveland [Ohio], 1956, p. 13
  44. Alfred Schmeller, Surrealism, Methuen, London, 1956, p. 29
  45. Juan-Eduardo Cirlot, Arte contemporáneo, EDHASA, Barcelona, 1958, il. 105
  46. Gianni Finlandia, "Salvador Dali aspetta un cavolfiore", Corriere Mercantile, 02/07/1958, Genova, n. p.
  47. Marcel Jean, Histoire de la peinture surréaliste, Éditions du Seuil, Paris, 1959, p. 212
  48. Gerald Kloss, "A Method in His Madness", Journal, 22/04/1960, Milwaukee, Wis., n. p.
  49. Harold Rosenberg, "Midas with a Waxed Moustache", Saturday Review, 14/05/1960, New York, NY, p. 22
  50. Gustav René Hocke, El Manierismo en el arte europeo de 1520 a 1650 y en el actual, Guadarrama, Madrid, 1961, n. p. (detail)
  51. K. K., "Landmarks of modern art", The Saturday Review, 13/05/1961, New York, NY, n. p.
  52. Douglas Watson, "Painting a dream-world", The Australian Women's Weekly, 07/03/1962, Sydney, Au, p. 46
  53. Deborah Kovacs, "Dollars to Dali", Long Island Post, 04/02/1965, Flushing, N. Y., p. [5]
  54. John RICHARDSON, "School for scandal forty years on", The Sunday Times Magazine, 14/11/1965, Londres, UK, p. 31
  55. Chagall, Dalí, Ernst, Kawade Shobo, [S.l.], 1966, Il. 31
  56. Martin Esslin, "Naw all artists are surrealists", New York Times, 22/05/1966, New York, n. p. (detail)
  57. Robert Lebel, L'Arte moderna : metafisica, dada, surrealismo, Fratelli Fabbri, Milano, 1967, p. 259
  58. Paul H. Walton, Dali / Miró, Tudor Publishing Company, New York, 1967, il. 7
  59. Joseph-Émile Muller, L'Art au XXe siècle, Larousse, Paris, 1967, p. 132
  60. "«Idle Hands» Neurosis", Thuth, 03/06/1967, Elkhart, Ind., p. 3 (detail)
  61. Robert Lebel, "Il surrealismo: Tanguy, Dalí, Brauner, Dominguez e altri", L'arte Moderna, 31/12/1967, Milano, p. 259 (detail)
  62. Max Gérard, Dalí de Draeger, Blume, Barcelona, 1968, cover (detail)
  63. William S. Rubin, Dada, surrealism, and their heritage, The Museum of Modern Art, New York, 1968, p. 111
  64. Charlotte Lichtblau, "Dada, Surrealism: Potent Beginnings", Diari Philadelphia, 31/03/1968, Philadelphia, Pa., n. p.
  65. Katharine Kuh, "A Fury That Scorched", Saturday Review, 27/08/1968, New York, N.y., p. 56
  66. Sarane Alexandrian, Dalí peintures, Fernand Hazan, Paris, 1969, p. 3
  67. Carlton Lake, In quest of Dali, G. P. Putnam's Sons, New York, 1969, n. p. (detail)
  68. Robert Lebel, "Le Dali de tout le monde ou la psychopathologie commercialisée", L'oeil, 31/01/1969, Paris, n. p. (detail)
  69. A. Reynolds Morse, A Dalí primer, The Reynolds Morse Foundation, Cleveland [Ohio], 1970, p. 23
  70. "An Age Rejects History", The Washington Post, 30/05/1971, Washington, n. p. (detail)
  71. Juan-Eduardo Cirlot, Arte del siglo XX, Labor, Barcelona, 1972, p. 514
  72. Salvador Dalí, Michel Conil Lacoste, "Dalí, il genio delirante (coberta)", BolaffiArte, 06/1972, Torino, p. 59
  73. Salvador Dalí : a guide to his works in public museums, The Dali Museum, Cleveland [Ohio], 1973, p. [40]
  74. José Pierre, Dictionnaire de poche : le Surréalisme, Fernand Hazan, Paris, 1973, p. 46
  75. Ninety-three oils by Salvador Dalí : 1917-1970, The Salvador Dali Museum, Cleveland, 1973, p. 174
  76. Helen M. Franc, An invitation to see : 125 paintings from the Museum of Modern Art, The Museum of Modern Art, New York, 1973, p. 86
  77. Salvador Dalí ... a panorama of his art, The Salvador Dali Museum, Cleveland, 1974, p. 174
  78. Tadao Ogura, Robert Descharnes, L'Art moderne du monde, Shueisha, Tokyo, 1974, il. 22, p. 103
  79. Jacques Dopagne, Dalí, Fernand Hazan, Paris, 1974, il. 59
  80. Mari Rodríguez Ichaso, "El Museo de arte Moderno de Nueva York", Vanidades Continental, 10/06/1974, Panamá, p. 34
  81. Luis Romero, Todo Dalí en un rostro, Blume, Barcelona, Madrid, 1975, p. 166
  82. Le Surréalisme, XXe siècle, Paris, 1975, p. [117]
  83. Paul R. Chimera, "Salvador Dali: Limp Watches and Abraham Lincoln", Tonawanda News, 16/10/1976, Tonawanda, NY, n. p.
  84. Carlo Munari, Arte del mundo moderno : del neoclásico al pop-art, Teide, Barcelona, 1977, p. 324
  85. José Pierre, Le Surréalisme, Fernand Hazan, Paris, 1978, n. p.
  86. Robert Descharnes, S. Terayama, Dalí: the book of great masters, Zauho, Tokyo, 1978, il. 6
  87. Calvin Tomkins, Duchamp et son temps : 1887-1968, Time-Life International, Nederland, 1978, p. 139
  88. Petit journal Salvador Dalí, Centre Georges Pompidou, [París], 1979, p. 173
  89. Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 173
  90. Cesáreo Rodríguez-Aguilera, Salvador Dalí, Nauta, Barcelona, 1980, il. 18
  91. Hommage à Dalí, Vilo, Paris, 1980, p. 31
  92. Salvador Dalí, The Tate Gallery, London, 1980, il. 64
  93. DALI, The Tate Gallery, [London], 1980, il. 9
  94. José Pierre, Cahiers du Musée National d'Art Moderne Détumescence et durée dans l'oeuvre de Salvador Dali, Centre Georges Pompidou, París, 1980, p. 10
  95. José Pierre, "Detumescence et durée dans l'oeuvre de salvador dalí et dans celle de claes oldenburg", Cahiers Du Musée National D'art Moderne, 31/01/1980, Paris, n. p.
  96. Concha Alzola, "La retrospectivas de Dali", Vanidades Continental, 01/04/1980, Panama City, Fl, n. p.
  97. Josep Pla, Salvador Dalí (il.), Obres de museu, DASA, Figueres, 1981, p. 77
  98. Guglielmo Bernardi, "Salvador Dalí", Pan, 04/1981, Offenburgh, cover (detail)
  99. Brassaï, Les Artistes de ma vie, Denoël, Paris, 1982, p. 31 (indirect image) (detail)
  100. Dawn Ades, Dalí and surrealism, Harper & Row, New York, 1982, p. 179
  101. Dictionnaire général du surréalisme et ses environs, Office du Livre, Fribourg [Suisse], 1982, p. 432
  102. René Passeron, Enciclopedia del surrealismo, Polígrafa, Barcelona, 1982, p. 144, dustjacket (detail)
  103. El Surrealismo, Cátedra, Madrid, 1983, p. [134]
  104. Pierre Cabanne, El Arte del siglo veinte, Polígrafa, Barcelona, 1983, p. 113
  105. Ignacio Gómez de Liaño, Dalí, Polígrafa, Barcelona, 1983, il. 42
  106. Conroy Maddox, Dalí, Newness Books, Feltham [Middlesex], 1983, p. 24-25
  107. Jaume Socias, Dalí, Nou Art, Barcelona, 1983, p. 14 (detail)
  108. Conroy Maddox, Dalí, Benedick Taschen, Köln, 1983, p. 24-25
  109. Clarà, Dalí, Monturiol, Pla, Vayreda, Diputació Provincial de Girona, Nou Art Thor, Girona, Barcelona, 1983, p. 14
  110. The Lucas collection of Dalí originals, The Salvador Dali Foundation, St. Petersburg [Florida], [1984], p.
  111. Rafael Santos Torroella, La Miel es más dulce que la sangre : las épocas lorquiana y freudiana de Salvador Dalí, Seix Barral, Barcelona, 1984, p. 190
  112. Dalí, Sarpe, Madrid, 1984, il. 13, p. 86
  113. "«Steine aus dem Himmel unseres Kindes»", Der Spiegel, 28/05/1984, Hamburg, p. 233 (detail)
  114. "«Ich war phänomenal»", Der Spiegel, 17/09/1984, Hamburg, p. 226 (detail)
  115. Claire Péliss, "Le Maniérisme et Salvador Dalí", L'oeil, 30/11/1984, Lausanne, p. 38
  116. Rosemary Lambert, Introducción a la historia del arte : el siglo XX, Gustavo Gili, Circulo de lectores, Barcelona, 1985, p. 51
  117. Sarane Alexandrian, Dalí, Fernand Hazan, Paris, 1985, cover (detail), il. 59
  118. Takahiko Okada, Dalí, Shueisha, [S.l.], 1986, p. 64, p. 65
  119. William Skaff, The Philosophy of T. S. Eliot, University of Philadelphia Press, Philadelphia, 1986, cover i guarda
  120. Joseph-Émile Muller, Frank Elgar, La Peinture moderne, Fernand Hazan, Paris, 1986, p. 102
  121. Simon Wilson, La Peinture surréaliste, Ars Mundi, [S.l.], 1987, il. 27
  122. Josep Vallès i Rovira, Dalí delit Empordà, Carles Vallès, Figueres, 1987, p. 93
  123. Agustín Sánchez Vidal, Buñuel, Lorca y Dalí: el enigma sin fin, Planeta, Barcelona, 1988, p. 195 (detail)
  124. Grands Peintres : Dalí, COGEDI-PRESSE, Paris, 1988, cover, p. 2
  125. Salvador Dalí, 1904-1989, Gerd Hatje, Stuttgart, 1989, p. 144
  126. Salvador Dalí, Meisterwerke der dreissiger Jahre, Schirmer-Mosel, München, 1989, il. 8
  127. Maria Lluisa Borrás, Rafael Santos Torroella, "Port Lligat y la persistencia de la memoria", La Vanguardia, 24/01/1989, Barcelona, p. 47
  128. Maria Lluisa Borrás, "La fascinación de la pintura de Dalí", La Vanguardia, 29/01/1989, Barcelona, n. p. (detail)
  129. "Eterna permanencia", Blanco y Negro, 29/01/1989, Madrid, p. 20 (detail)
  130. Michel Déon, Marie-France Saurat, "Dali, la saga du dernier geant du Surrealisme", Paris Match, 02/02/1989, Paris, p. 77 (detail)
  131. Richard Lacayo, "Outrageous to the tips of his rapier mustache and tro the end, Salvador Dalí was the surreal thing", People, 06/02/1989, s. l., p. 107 (detail)
  132. Los Dalís de Dalí: colección del museo nacional centro de arte reina Sofía, Centro cultural, Arte contemporaneo, México D. F., 1990, p. 23
  133. Sidra Stich, Anxious visions: surrealist art, University Art Museum, Abbeville, Berkeley, New York, 1990, p. 29
  134. Paul Moorhouse, Dalí, Magna Books, Wigston [Anglaterra], 1990, p. 48-49
  135. Juan Gyenes, Picasso, Dalí, Miró, Eudema, Madrid, 1990, p. 189
  136. Luis Romero, PsicoDálico Dalí, Mediterranea, Barcelona, 1991, p. 68
  137. Alessandr Rogin, [Salvador Dalí : el mite i la realitat], Republica, Moscou, 1992, p. 48
  138. Diane Waldman, Collage, assemblage, and the found object, Phaidon Press, London, 1992, p. 180
  139. Carlos Rojas, Salvador Dalí, or the art of spitting on your mother's portrait, The Pennsylvania State University Press, University Park [Pennsylvania], 1993, il. 5
  140. Summa artis | Pintura y escultura española del siglo XX : 1900-1939, Espasa-Calpe, Madrid, 1993, p. 488
  141. Paul, Max et les autres : Paul Eluard et les surréalistes, L'Albaron, Musée d'art et d'histoire, Thonon-les-Bains [Haute-Savoie], Saint-Denis, 1993, p. 71 (indirect image)
  142. Mike Venezia, Salvador Dalí, Children Press, Chicago, 1993, cover, p. 4-5
  143. Jaime Brihuega, Miró y Dalí: los grandes surrealistas, Anaya, Madrid, 1993, p. 65
  144. El Surrealismo en España, Museo Nacional Centro de Arte Reina Sofía, [Madrid], 1994, p. 60
  145. Agustín Sánchez Vidal, Dalí, Alianza, Madrid, 1994, il. 4
  146. Marco Di Capua, Dalí, Librairie Gründ, Paris, 1994, p. 118-119
  147. Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 163
  148. Nathaniel Harris, The Life and works of Dalí, Parragon, [Regne Unit], 1994, p. 20
  149. Amanda Lear, La Persistencia de la memoria : una biografía personal de Salvador Dalí, Diana, Mexico, 1994, p. 5
  150. Sarane Alexandrian, Surrealist art, Thames and Hudson, London, 1995, p. 97
  151. Dalí, Miró, Picasso e il surrealismo spagnolo, Skira, Milano, 1995, p. 38
  152. Dickran Tashjian, A boatload of madmen : Surrealism and the American avant-garde, 1920-1950, Thames and Hudson, New York, New York, 1995, p. [139]
  153. Ralf Schiebler, Dalí : genius, obsession and lust, Prestel, Munich - New York, 1996, p. 76
  154. New history of world art, Shogakukan, [S.l.], 1996, il. 4
  155. Gilles Néret, Salvador Dalí : 1904-1989, Evergreen (Benedikt Taschen), [Köln], 1996, cover, p. 26
  156. Christopher Masters, Dalí, Phaidon, London, 1996, p. 69, p. 128
  157. Haim Finkelstein, Salvador Dalí's art and writing, 1927-1942 : the metamorphoses of Narcissus, Cambridge University Press, Cambridge, 1996, p. 147
  158. Fiona Bradley, Surrealism, Tate Gallery, London, 1997, p. 61
  159. Robert Radford, Dalí, Phaidon, London, 1997, p. 147
  160. Ian Gibson, The Shameful life of Salvador Dalí, Faber and Faber, London, 1997, il. XXIII
  161. Matthew Gale, Dada & surrealism, Phaidon, London, 1997, p. 376-377
  162. Gérard Durozoi, Histoire du mouvement surréaliste, Hazan, Paris, 1997, p. 209
  163. Pascal Bonafoux, Christophe Valentin (il.), La Beauté comestible : à propos de Dalí et les aliments, Plume, Paris, 1998, p. 148
  164. Robert Goff, The Essential Salvador Dalí, Harry N. Abrams, New York, 1998, p. 56-57
  165. Julien Levy: portrait of an art gallery, The MIT Press, Cambridge, Massachusetts, London, England, 1998, p. 68
  166. Haim Finkelstein, The Collected writings of Salvador Dalí, Cambridge University Press, Cambridge, 1998, dustjacket
  167. Mª Teresa Jiménez Priego, Dalí, joyero del siglo XX, Universidad Nacional de Educación a Distancia, Madrid, 1999, p. 70
  168. Moma highlights : 325 works from the Museum of Modern Art, New York, The Museum of Modern Art, New York, 1999, p. 154
  169. Salvador Dalí, Parkstone, England, 1999, p. 62
  170. Agustín Sánchez Vidal, Salvador Dalí, Electa, Madrid, 1999, p. 33
  171. Dalí's optical illusions, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 2000, p. 39, p. 43 (indirect image)
  172. Masterpieces of surrealism, Salvador Dalí Museum, St. Petersburg, Florida, 2000, p. 52 (indirect image)
  173. Brassaï, Centre Pompidou, Seuil, Paris, 2000, p. 161 (indirect image) (detail)
  174. Robert Stork, Modern art despite Modernism, The Museum of Modern Art, New York, 2000, p. 129
  175. Robert Hughes, El Impacto de lo nuevo : el arte en el siglo XX, Galaxia Gutenberg, Círculo de Lectores, Barcelona, Barcelona, 2000, p. 239
  176. Ángel González García, El Resto : una historia invisible del arte contemporáneo, Museo de Bellas Artes de Bilbao, Museo Nacional Centro de Arte Reina Sofía, Bilbao, Madrid, 2000, p. 152 (detail)
  177. Dreams 1900-2000 : science, art, and the unconscious mind, Cornell University Press, Bighamton University Art Museum, State University of New York, Ithaca, NY, Bighamton, N.Y., New York, 2000, p. 160
  178. Grandes maestros de la pintura : Dalí, Altaya, Barcelona, 2001, p. 28, p. 28 (4 details), p. 29
  179. René Passeron, Surrealism, Finest, Pierre Terrail, Paris, 2001, p. 96-97
  180. Masterworks from the Museum of Modern Art, New York : 1900-1955, [Museum of Modern Art], [Japó], [2001], p. 53
  181. Alberto Mario Perrone, Salvador Dalí, escándalo, transgresión y genio, Longseller, Buenos Aires, 2001, p. 100
  182. Joan Castellar-Gassol, Dalí : una vida perversa, Edicions de 1984, Barcelona, 2002, p. III
  183. Jean-Louis Gaillemin, Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935, La Passage, Paris-New York, 2002, il. 23
  184. Ingrid Schaffner, Salvador Dalí's Dream of Venus : the surrealist funhouse from the 1939 World's Fair, Princeton Architectural Press, New York, 2002, p. 54 (indirect image)
  185. Gérard Durozoi, Le Surréalisme, Hazan, Paris, 2002, p. 45 (detail), p. 55
  186. Juan Antonio Ramírez, Dalí: lo crudo y lo podrido, A. Machado Libros, Madrid, 2002, p. 39
  187. Gérard Durozoi, History of the surrealist movement, The University of Chicago Press, Chicago, London, 2002, p. 205
  188. Antoni Gaudí Salvador Dalí, Loft, Barcelona, 2002, dustjacket (2 details), p. 36, p. 37 (detail)
  189. Robert Anderson, Salvador Dalí, Franklin Watts, London, Sydney, 2002, cover, p. 21
  190. Dalí 1904-2004, Edicions 62, Barcelona, 2003, p. 102-103
  191. Montse Gisbert, Salvador Dalí, pinta'm un somni, Serres, Barcelona, 2003, n. p.
  192. Llàtzer Moix, La Costa Brava, Triàngle Postals, Menorca, 2003, p. 97
  193. Javier Pérez Andújar, Salvador Dalí : a la conquista de lo irracional, Algaba, Madrid, 2003, n. p.
  194. Xavier Barral i Altet, Les Indigestions de Dalí, Edicions de 1984, Barcelona, 2003, p. 87
  195. Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 110-111
  196. Ricard Mas Peinado, Universdalí, Lunwerg, Barcelona, Madrid, 2003, p. 40
  197. Michael Elsohn Ross, Salvador Dalí and the surrealists, their lives and ideas : 21 activities, Chicago Review Press, Chicago, 2003, cover, p. VI (detail), p. 68
  198. The Portable Dalí, Universe, New York, 2003, p. 110-111
  199. Lluís Llongueras, Todo Dalí : vida y obra del personaje más genial y espectacular del siglo XX, Generalitat de Catalunya, [Barcelona], 2003, p. LXI
  200. Eric Zafran, Paul Paret, Surrealism and modernism: from the collection of the Wadsworth Atheneum, Wadsworth Atheneum Museum of Art, Yale University Press, Hartford, New Haven and London, 2003, p. 78 (indirect image)
  201. Art in our time : a chronicle of the Museum of Modern Art, Museum of Modern Art, New York, 2004, p. 236 (indirect image)
  202. Jean-Louis Gaillemin, Dalí : master of fantasies, Harry N. Abrams, New York, 2004, p. 69
  203. Marina García, Dalí per a nens, Albur, Barcelona, 2004, p. 3, p. 11, p. 12
  204. Cathrin Klingsöhr-Leroy, Surrealismo, Taschen, Köln, [etc.], 2004, p. 38-39
  205. Persistence and memory : new critical perspectives on Dalí centennial, Bompiani, [Milà], 2004, p. 30
  206. Enric Bou, Daliccionario : objetos, mitos y símbolos de Salvador Dalí, Tusquets, Barcelona, 2004, p. 15
  207. Alyse Gaultier, The Little book of Dalí, Flammarion, Paris, 2004, cover (detail), p. 2 (detail), p. 88-89
  208. Alyse Gaultier, L'Abcdaire de Dalí, Flammarion, Paris, 2004, cover (detail), p. 2 (detail), p. 90
  209. Maria Lluïsa Borràs, Salvador Dalí : vida i obra d'un geni, Columna, Barcelona, 2004, n. p.
  210. Maria J. Jordà, Eva Formiga, Discovering the magical world of Dalí, Textura, [Barcelona], 2004, cover, endpapers, p. 8, p. 9 (4 details)
  211. Jean-Louis Gaillemin, Dalí the impresario of surrealism, Thames & Hudson, London, 2004, p. 69
  212. Tonia Raquejo, Dalí: metamorfosis, Edilupa, [Madrid], 2004, p. 74
  213. Silvia Borghesi, Dalí, Electa, Milán, 2004, cover, p. 6 (detail), p. 60, p. 61 (detail)
  214. Linde Salber, Salvador Dalí, Rowohlt, Reinbek bei Hamburg, 2004, p. 106
  215. Dalí, Bompiani, [Milà], 2004, p. 149, p. 150 (detail), p. 483 (indirect image)
  216. Salvador Dalí i Federico García Lorca : la persistència de la memòria, Viena, Generalitat de Catalunya. Departament de Cultura, Barcelona, Barcelona, 2004, p. 16
  217. El Discòbol, Trabucaire, Canet, 2004, p. [45] (indirect image)
  218. Obra completa : Álbum, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, Barcelona, [Figueres], [Madrid], 2004, p. 76, p. 79 (indirect image), p. 89 (indirect image), p. 142 (indirect image)
  219. Patrice Schmitt, Étude psychanalytique de la création chez Salvador Dalí, Lacour-Ollé, Nimes, 2004, il. 1.8
  220. Jean-Louis Gaillemin, Dali : le grand paranoïaque, Découvertes Gallimard Arts, París, 2004, p. 69
  221. Màrius Carol, Josep Playà i Maset, El Enigma Dalí, Plaza Janés, Barcelona, 2004, n. p.
  222. Surrealism USA, National Academy Museum, New York, Ostfildern-Ruit, Germany, 2005, p. 20
  223. Lucía García de Carpi, Salvador Dalí, Ambos Mundos, Salamanca, 2005, p. 82, p. 130 (detail)
  224. Rafael Santos Torroella, El Primer Dalí, 1918-1929 : catálogo razonado, IVAM Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones, [València], [València], [Madrid], 2005, p. 383
  225. Dalí, Unidad Editorial, [S. l.], 2005, cover (detail), p. 46-47 (detail), p. 117, p. 180
  226. Vicent Santamaria de Mingo, El Pensament de Salvador Dalí en el llindar dels anys trenta, Publicacions de la Universitat Jaume I, Castelló de la Plana, 2005, p. 280 (detail)
  227. Naturaleza & arte. Gaudí, Miró, Dalí, Sociedad Estatal para Exposiciones Internacionales, [Madrid], 2005, p. 87
  228. Mila Torres, Alba Marina Ribera (il.), La Màgica aventura del quadre de Dalí, Edicions del Gràfic Set, Sabadell, 2005, p. 35
  229. Eudald Carbonell, Policarp Hortolà, Entendre la ciència des de dins (o si més no intentar-ho) : reflexions, a través de la pràctica científica, entorn d'una visió epistemològica per al tercer mil·lenni, Publicacions URV, Tarragona, 2006, cover
  230. Salvador Dali centennial retrospective, Ueno Royal Museum, Ueno, 2006, p. 132
  231. Marta Luna, Toni Matas, Dalí i els altres secrets, Distribucions d'Art Surrealista, Figueres, 2006, p. 9
  232. Torsten Otte, Salvador Dalí : Eine Biographie mit Selbstzeugnissen des Künstlers, Königshausen & Neumann, Würzburg, 2006, p. 58
  233. Dali's universe and masterpieces of surrealists, The Museum of Art, Ehime (Japó), [2006], p. 6
  234. Salvador Dalí: an illustrated life, Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura, London, [Figueres], [Madrid], 2007, p. 76, p. 142 (indirect image)
  235. Dalí & film, Tate Publishing, London, 2007, p. 127
  236. Agustín Sánchez Vidal, Salvador Dalí, Fundación Mapfre. Instituto de Cultura, Madrid, 2007, p. 56
  237. Dalí multifaceted : centenary exhibition, The Chunichi Shimbun, [S. l.], 2007, p. 193
  238. Angela Wenzel, The Mad, mad, mad world of Salvador Dali, Prestel, Munich, 2007, cover (detail), p. 9
  239. Gavin Parkinson, Surrealism, art and modern science : relativity, quantum mechanics, epistemology, Yale University, New Haven & London, 2008, p. 193
  240. The 1930s: the making of "the new man", National Gallery of Canada, Ottawa, 2008, p. 95
  241. Alessandro Del Puppo, Dalí et le surréalisme, E-ducation.it S.p.A, Florence, 2008, cover, p. 127, 128-29
  242. Philippe Ségalot, Franck Giraud, The Impossible collection : the 100 most coveted artworks of the modern era, Assouline, New York, 2008, il. 29
  243. Claude Gautrand, Brassaï Paris : 1899-1984, Taschen, Hong Kong, Köln, London, etc., 2008, p. 156 (indirect image) (detail)
  244. Josep Maria Cadena, Pau Quesada, Meravelles de Catalunya, Primera Plana, [Barcelona], 2008, p. [34] (detail), p. 35 (detail)
  245. Mª Mercè Riera i Arnijas, Dalí, Ciro, [Barcelona], 2008, cover (detail), p. 81, p. 142
  246. Procés a l'Atzar = Proceso al Azar = Chance on Trial, Editrama, Madrid, [2008], n. p. (indirect image) (detail)
  247. Montse Aguer i Teixidor, Los tesoros de Salvador Dalí, Librería Universitaria, Barcelona, 2009, p. 37
  248. Un perro andaluz 80 años después, Sociedad Estatal de Conmemoraciones Culturales, La Fábrica, Madrid, 2009, p. 140
  249. Du Greco à Dalí : les grands maîtres espagnols de la collection Pérez Simón, Snoeck, Heule (Belgique), 2010, p. 199
  250. Alícia Viñas i Palomer, Emocions, sentiments, sensacions : Pintors i escultors de l'Alt Empordà, 1839-1959, Institut d'Estudis Empordanesos, Figueres, 2010, p. 159
  251. Salvador Dalí : the late work, High Museum of Art, Yale University Press, Atlanta, New Haven and London, 2010, p. 61
  252. Francesca Adamo, Caterina Pennestrì, Il Destino di un incontro : Salvador Dalì e Walt Disney, Mimesis, Milano, 2010, p. 41
  253. Catherine Grenier, Salvador Dalí : l'invention de soi, Flammarion, París, 2011, p. 107
  254. Ralf Schiebler, Dalí : the reality of dreams, Prestel, Munich, London, New York, 2011, p. 76
  255. Dalí, Centre Pompidou, Paris, 2012, p. 137
  256. Roger Rothman, Tiny surrealism : Salvador Dalí and the aesthetics of the small, University of Nebraska, Lincoln & London, 2012, p. 11
  257. Shûzô Takigushi, Dalí : Tokio, 1939, Notari, Genève, 2012, il. 0 (indirect image)
  258. Dalí un artista un genio, Skira, Milano, 2012, p. 183
  259. Didier Ottinger, Dictionnaire de l'objet surréaliste, Gallimard, Centre Pompidou, Paris, 2013, p. 96 (indirect image)
  260. Francesca Bonazzoli, Michele Robecchi, De Mona Lisa a los Simpson : por qué las grandes obras de arte se han convertido en iconos de nuestro tiempo, Lunwerg, Barcelona, 2013, p. 118
  261. Will Gompertz, ¿Qué estás mirando? : 150 años de arte moderno en un abrir y cerrar de ojos, Taurus, Madrid, 2013, p. 281
  262. "LOS BALLETS DALINIANOS de Bacanal a Sacrificio", ARTE Y PARTE, 01/04/2013, s. l., p. 59
  263. Dalí et le livre d'art, Somogy Editions d'Art, Musée Goya, Castres, [Paris], Castres, Castres, 2014, p. 70
  264. Catherine Ingram, Andrew Rae (il.), This is Dalí, Laurence King Publishing, London, 2014, p. 43
  265. Natalia Malinóvskaya, [Temes amb variacions], Tsentr knigi Rudomino, Moscou, 2014, p. 484
  266. Salvador Dalí, Instituto Tomie Ohtake, Sao Paulo, 2014, p. 58 (indirect image)
  267. William Jeffett, Juan José Lahuerta, Picasso-Dalí, Dalí-Picasso, Museu Picasso, Salvador Dalí Museum, Barcelona, Sant Petersburg, 2014, p. 220 (indirect image)
  268. Disney & Dalí : architects of the imagination, Disney, Los Angeles, New York, 2015, p. 64 (indirect image), p. 65
  269. Gabriel Montua, Dalís 20. Jahrhundert : die westliche Kunst zwischen Politik, Markt und Medien, De Gruyter, Boston, Berlin, 2015, p. 89 (indirect image) (detail)
  270. Media - Dalí, K11 Art Foundation, Shanghai Culture Publishing House, Shanghai, 2015, p. 103 (indirect image)
  271. Daniel R. Caruncho, Salvador Dalí, las obras de su vida, Dos de Arte, Barcelona, 2015, p. 3 (detail), p. 21 (detail), p. 30, reverse (detail)
  272. Salvador Dalí, Yomiuri Shimbun, Culture Promotion Department, Tokyo, 2016, p. 150 (indirect image) (detail)
  273. Memoria 2015 = Memòria 2015, Fundació Gala-Salvador Dalí, Figueres, 2016, p. 9 (indirect image), p. 69 (indirect image)
  274. Dalí atómico, Fundación Bancaria "la Caixa", [Barcelona], 2018, p. 135
  275. Dali : poetics of the small, 1929-1936, Meadows Museum, Dallas, 2018
  276. El Arte y el mundo moderno, Planeta, Barcelona, [s.d.], p. 100

Reproduction Rights

The copyright on Salvador Dalí's works, included those that are reproduced in this Web page, is held by the Spanish State and has been granted in exclusivity to the Fundació Gala-Salvador Dalí.

Pursuant to intellectual property laws in force, the total or partial reproduction, distribution, transformation, public communication, interactively making available to the public, as well as any other exploitation, by any means, of the works included in this Web page is prohibited.

Any exploitation of Salvador Dalí's works is subject to the prior application and clearance of the relevant licence issued by VEGAP (tel. 91 532 66 32 and 93 201 03 31 ; www.vegap.es). Copyright infringement will be prosecuted according to Laws.

Contact

Pujada del Castell, 28
E-17600 Figueres. Catalonia
T. +34 972 677 505
F. +34 972 501 666

Last update: 03/10/2019

© Fundació Gala - Salvador Dalí. All rights reserved