Cat. no. P 191
Self-Portrait Splitting into Three
Description
- Date:
- 1926-27
- Technique:
- Oil on canvas
- Dimensions:
- 71.5 x 51.5 cm
- Signature:
- Unsigned and undated
- Location:
- Town Hall of Figueres, on permanent deposit at the Fundació Gala-Salvador Dalí, Figueres
Provenance
- Artist's collection
Exhibitions
- 1992, Barcelona, La Pedrera, Avantguardes a Catalunya, 16/07/1992 - 30/09/1992, cat. no. 227
- 2006, Köln, Museum Ludwig, Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, 18/03/2006 - 25/06/2006, cat. no. 20
- 2008, Figueres, Teatre-Museu Dalí, Préstec temporal a la Fundació Gala-Salvador Dalí per a l'exposició "Autoretrats", 10/02/2008 - 06/12/2008
- 2012, Humlebæk, Dinamarca, Lousiana Museum of Modern Art, Self-Portrait, 14/09/2012 - 13/01/2013, cat. no. 30
Bibliography
- A. Reynolds Morse, Salvador Dalí, Pablo Picasso, Pablo Picasso, Salvador Dalí : a preliminary study in their similarities and contrast, The Salvador Dali Museum, Cleveland [Ohio], 1973, p. 32
- Ramón Gómez de la Serna, Dalí, Espasa-Calpe, Madrid, 1977, p. 42, p. 245
- Distribucions d'art surrealista, Distribucions d'Art Surrealista, Barcelona, 1983, p. 19
- Rafael Santos Torroella, La Miel es más dulce que la sangre : las épocas lorquiana y freudiana de Salvador Dalí, Seix Barral, Barcelona, 1984, p. 115
- Dalí capital de Figueres, Ajuntament de Figueres, Figueres, 1984, il. 321
- Federico García Lorca : dibujos, Ministerio de Cultura, [Madrid], 1986, p. 47
- Miguel de Cervantes Saavedra, Salvador Dalí (il.), Il Fantastico idalgo don Chisciotte della Mancia, Del Drago, Milano, 1986, p. 14
- Grands Peintres : Dalí, COGEDI-PRESSE, Paris, 1988, p. 11
- Avantguardes a Catalunya, Fundació Caixa de Catalunya, Barcelona, 1992, p. 61 (detail), p. 302
- José Luis Giménez-Frontín, Teatre-Museu Dalí, Tusquets, Electa, [Barcelona], Madrid, 1994, p. 74
- Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 114
- David Lomas, The Haunted self : surrealism, psychoanalysis, subjectivity, Yale University Press, New Haven, London, 2000, p. 122
- Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 61
- Ricard Mas Peinado, Universdalí, Lunwerg, Barcelona, Madrid, 2003, p. 22
- The Portable Dalí, Universe, New York, 2003, p. 61
- Tonia Raquejo, Dalí: metamorfosis, Edilupa, [Madrid], 2004, p. 21
- Rafael Santos Torroella, El Primer Dalí, 1918-1929 : catálogo razonado, IVAM Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones, [València], [València], [Madrid], 2005, p. 321
- Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, Ostfildern, 2006, p. 91
- Picasso, Miró, Dalí. Giovani e arrabbiati: la nascita della modernità, Skira, Milano, 2011, p. 42
- Catherine Grenier, Salvador Dalí : l'invention de soi, Flammarion, París, 2011, p. 63
- Dalí un artista un genio, Skira, Milano, 2012, p. 88
- Self-Portrait, Lousiana Museum of Modern Art, Humlebæk, Dinamarca, 2012, p. 54
Reproduction Rights
The copyright on Salvador Dalí's works, included those that are reproduced in this Web page, is held by the Spanish State and has been granted in exclusivity to the Fundació Gala-Salvador Dalí.
Pursuant to intellectual property laws in force, the total or partial reproduction, distribution, transformation, public communication, interactively making available to the public, as well as any other exploitation, by any means, of the works included in this Web page is prohibited.
Any exploitation of Salvador Dalí's works is subject to the prior application and clearance of the relevant licence issued by VEGAP (tel. 91 532 66 32 and 93 201 03 31 ; www.vegap.es). Copyright infringement will be prosecuted according to Laws.
