The Angelus

© Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2007

Cat. no. P 510

The Angelus

Description

Date:
c. 1932
Technique:
Oil on wood panel
Dimensions:
16 x 21.7 cm
Signature:
Unsigned and undated
Inscriptions:
Inscribed on the back: Je certifie que la peinture ci-contre provenant de ma collection est de Salvador Dali. Georges Hugnet, septembre 1939
Location:
Private collection. Courtesy of the Galerie Natalie Seroussi, Paris

Provenance

  1. Georges Hugnet, Paris

Exhibitions

  1. 2002, París, Centre Pompidou, La Révolution surréaliste, 06/03/2002 - 24/06/2002, no reference
  2. 2004, Barcelona, CaixaForum, Dalí. Cultura de masses, 05/02/2004 - 23/05/2004, cat. no. 70
  3. 2004, Venezia, Palazzo Grassi, Dalí, 12/09/2004 - 16/01/2005, cat. no. 116
  4. 2006, Köln, Museum Ludwig, Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, 18/03/2006 - 25/06/2006, cat. no. 34
  5. 2011, Riehen/Basel, Fondation Beyeler, Surrealism in Paris, 02/10/2011 - 29/01/2012, p. 241
  6. 2012, Paris, Centre Pompidou, Dalí, 21/11/2012 - 25/03/2013, p. 173
  7. 2013, Madrid, Museo Nacional Centro de Arte Reina Sofía, Dalí. Todas las sugestiones poéticas y todas las posibilidades plásticas, 27/04/2013 - 02/09/2013, p. 176
  8. 2018, Dallas, Meadows Museum, SMU, Dalí: Poetics of the Small, 1929-1936, 09/09/2018 - 09/12/2018, cat. no. 6

Bibliography

  1. Surrealismus 1914 - 1944 : Dalí, Max Ernst, Magritte, Miró, Picasso..., K20 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz, Düsseldorf, Ostfildern-Ruit, 2002, p. 210 (indirect image)
  2. Dalí. Cultura de masses, Fundació La Caixa, Fundació Gala-Salvador Dalí, Barcelona, Figueres, 2004, p. 71
  3. Dalí, Bompiani, [Milà], 2004, p. 191
  4. Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, Ostfildern, 2006, p. 57
  5. Surrealism in Paris, Hatje Kantz, Basilea, 2011, p. 241
  6. Dalí, Centre Pompidou, Paris, 2012, p. 173
  7. Dali : poetics of the small, 1929-1936, Meadows Museum, Dallas, 2018, p. 107

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